ART&DESIGN

Visiting the View Room is much more than visiting a museum of a living artist — it’s entering a space that breathes art and design.

By Dr. Anna Biela 12.05.2025 Wroclaw 7:51 pm

Every inch has been hand-designed by me, Anna Biela, with full presence and awareness. This is not just an interior — it’s a multi-dimensional artistic experience.

From the architectural layout to the emotional rhythm of the space, every detail has been created with the intention of allowing the art to resonate — both the pieces on the walls and the art present in daily life. I have designed custom hanging systems that allow the paintings to breathe and interact with the architecture. Lighting has been chosen individually to bring out the energy and colors of the artwork, shifting along with the natural light of the day.

The cabinets are custom-made, using materials I personally selected, and the appliances have been carefully chosen so that function doesn’t disrupt form.

I’ve even paid attention to the color of the nails and screws to maintain the aesthetic and energetic consistency of the entire space. There are no accidents here — everything is part of a greater whole.

You’ll find furniture from Kler, a sculptural bathtub and sink from Marmorin, as well as elegant porcelain from Ćmielów and crystal glass that transforms everyday gestures into rituals.

There will also be my custom-made furniture created from waste — a fusion of art and conscious design, where reclaimed materials are given new life and meaning.

Just a few steps away — yet naturally connected to the interior — is the greenhouse on the rooftop of Butelkownia, where I drink coffee, meditate, and breathe the sky.

This is not a museum you simply walk through.

It’s a space that you feel, that you experience, and that stays with you in all your senses.

I warmly invite you to the Night of Museums at View Room!

It’s a unique opportunity to experience this space after dark — in the light of candles, the glow of paintings, and the presence of living art.

Private visits are available every day — not only during the Night of Museums!

For more information or to book a private visit, please contact me at:

Email: ab@annabiela.com

Phone: +48 601 323 501

MUSEUM

The Living Artist Museum – Anna Biela

Usually, artists’ homes are turned into museums only after they’re no longer living there—when they’re gone and their space becomes frozen in time. My museum is different. It’s a living place, pulsing with creative energy, open to you and to the present moment.

I specifically bought a loft in the former brewery building called Butelkownia, in the heart of the Browary Wrocławskie district, to create a space that combines life, art, and human connection. View Room—the name itself is a play on words. In my loft, there’s a large window—like a big eye—through which I have a view of Jedności Narodowej Street. But equally important is the view inside. Through that same window, you can peek into my world, see my installations, paintings, and creative process. That window is a portal—both ways.

During Museum Night, I invite you not only to the viewing experience from the street (which is available every day, as I leave the lights on all night so anyone can view the FOREST installation), but also to sign up for a special 15-minute encounter with this living artwork. The FOREST watches you—and welcomes you. You can book individual visits to my Living Artist Museum, located in unit number 5 of the Butelkownia building, about 55 m² of heart space dedicated to art.

Before I invite you into my private space, we will have a short video call. This is essential—not only so I can see who you are, but also to introduce you to the concept behind the installation. Abstract, conceptual painting installations require context, a moment of alignment, so that your experience within the space can be truly meaningful and connected.

This is not a museum of the past.

It’s a museum of presence.

To schedule a visit, please contact me via:

SMS / iMessage / WhatsApp:

+48 601 323 501

www.Instagram.com/anna__biela

www.Facebook.com/aniabiela

www.annabiela.com

Welcome – Dr. Anna Biela

NIGHT OF MUSEUMS

NIGHT OF MUSEUMS at the Anna Biela Museum

Wrocław – View Room, Butelkownia 5, Browary Wrocławskie

(near the canal, railway tracks & Mosty Warszawskie tram stop)

You’re warmly invited to a special night filled with “art, light, and the energy of nature.”

In the cozy Viewing Room, I’ll be sharing my installation “Tree Flow: LAS” – a “living experience of the forest’s presence,” a “connection to the Earth,” and the “flow of life.”

It’s a space to “slow down, feel, and reconnect” with yourself.

The Anna Biela Museum is a private space where I live and create. During your visit, you’ll step into the environment where my everyday life and art meet.

Admission is free, but visits to the Viewing Room require advance booking.

When? May 17 – as part of Night of Museums

Where? View Room – Anna Biela Museum

Address: Butelkownia 5, Browary Wrocławskie

Jedności Narodowej 224/5, Wrocław

(near the canal, train tracks, and Mosty Warszawskie tram stop)

To book your visit: +48 601 323 501

Website: www.annabiela.com

IG: @anna__biela

FB: facebook.com/aniabiela

“Bring your curiosity and an open heart – come by.”

There will be “space, light… and the FOREST.”

TURKUS FLOW CANCELED

Exhibition “TURKUS” Canceled — A Story of Chairs, Fear, and Energy Realignment

By Dr. Anna Biela 06.05.2025 Wroclaw 7:22 am

I feel I owe you an explanation.

After several months of preparation, planning, and emotional commitment, my exhibition “TURQUOISE” was energetically cancelled on the day it was scheduled to be installed.

This decision did not stem from logistical issues or a lack of readiness — its root was fear.

Bulvary Kultura is a space managed primarily according to commercial strategy rather than artistic sensitivity. Exhibitions are mainly organized there to fill unrented venues, not to create vibrant, resonant art experiences. In practice, this means that professional projects often appear alongside less mature presentations, which can lead to viewer disappointment — one can feel a lack of energetic cohesion and depth.

On April 27, I received a clear green light to begin the installation of “TURQUOISE.” I entered the space on April 28 with intention — to cleanse it not only physically but also energetically. I moved a few chairs — a seemingly minor gesture, but in my view, an important energetic ritual to release stagnant patterns and make room for the frequency of my work.

The exhibition was already packed, ready for transport. Yet this simple act — moving chairs — triggered a strong reaction from those supervising the space. Within a few hours, the exhibition was energetically cancelled. I felt it, and that’s why I chose not to install it, even though I had previously been given the green light. Even after the energy of the BLVR 1 space had been disrupted, the decision was still to go ahead with the installation.

Later, my therapist offered a bioenergetic interpretation. Chairs symbolize stability, position, and control. On a subconscious level, my gesture may have been perceived as a threat — a disruption of the established order. The reaction did not come from a place of trust or openness, but from fear and the need to maintain control. It was never clearly agreed what our shared space for action was, and I may have unknowingly disrupted the energetic field of the person overseeing the rentable spaces.

And energy doesn’t lie.

It is energy that shows us where we are welcome, and where there is no place for us. When disharmony arises and our inner intuition whispers: step back — it’s worth listening. If we ignore this, energy will force action upon us. That’s exactly what happened — despite previous arrangements and readiness, everything began to “fall apart,” as if the Universe wanted to say: not here, not now. The more we try to push through something that is energetically closed, the stronger the resistance we begin to feel. And then comes clarity — the decision doesn’t have to be rational, because the body and heart already know.

This is the deeper reason why the exhibition could not take place. There was a fundamental misalignment between the vibration I was bringing and the energetic field of that space and the people guarding it.

The next day, on April 30, I unpacked the exhibition. I decided to honor this turning point and redirect my energy toward celebration and inspiration. I went to Berlin for May Day and Gallery Weekend, absorbing fresh perspectives and artistic clarity.

On May 5, I received a message that the space was no longer available and was to remain empty for some time. Interestingly, on April 30 — after the situation involving the moved chairs — I was asked to proceed with the installation. At that time, it was no longer feasible — the paintings had already been transported to a warehouse outside Wrocław, and I was preparing for my trip to Berlin. I could only revisit the topic after May 7.

I had no signed agreement with Bulvary and was aware that the exhibition might not take place in the event the venue was rented — this is how they operate, so that the spaces don’t sit empty, but are instead open for people to see.

I took this as a final sign. I sat in silence, withdrew my energy from that space in meditation, and consciously closed the energetic loop.

So “TURQUOISE” was not cancelled — it was retuned.

What I created is alive, born from the heart, and attuned to something higher. It will find its place — not where fear rules, but where there is openness, trust, and readiness.

Thank you to all who felt the calling of this work.

We continue.

The turquoise current still flows.

KEWENIG

Art Critique by Dr. Anna Biela, 04.05.2025 Berlin 4:44 pm

“All P(a)laces Are Temporary P(a)laces”: A Heartfelt Encounter at KEWENIG Berlin

In the historic heart of Berlin’s Mitte district stands a building whose very walls pulse with layered histories and stories of resilience. KEWENIG Gallery, located at Brüderstraße 10 in the beautifully restored Galgenhaus—one of Berlin’s oldest remaining townhouses dating back to 1688—is a place where art transcends material form and enters the realm of experience. My recent visit to this gallery, curated by Justus Kewenig, was nothing short of a spiritual encounter. It resonated deeply with me not only as an artist but as a human being aware of the transient nature of existence.

The exhibition, titled “All Palaces Are Temporary Palaces,” was conceptually precise and yet open enough to provoke deeply personal interpretations. When I first saw the typography of the phrase displayed in the space, my mind misread it—“all places are temporary places.” This misreading lodged itself into my consciousness, and it wasn’t until much later, as I was sitting on a bus heading back to Wrocław, that I realized the word was not “places” but “palaces.” Yet even after the correction, the sentiment held firm. Whether “places” or “palaces,” the message remains poignant: everything material is impermanent.

My interpretation was unexpectedly reinforced by a striking visual moment. The gallery space has a minimal yet powerful installation layout, and what stood out was that one window was intentionally left uncovered. Through this window, I saw a fenced-off demolition site directly across the street. The building once located there was now completely gone—reduced to an absence, a void. And hanging on the fence was the exhibition signage: “All Palaces Are Temporary Palaces.” Framed by the empty space where a building once stood, this phrase hit with amplified gravity. It wasn’t just an artistic concept anymore; it was manifest in the urban reality outside the gallery’s walls. Art, life, and space had collapsed into a single, haunting metaphor.

This gallery is not just a site for viewing artworks—it is a work of art in itself. Every architectural choice, every curve of the restored walls, every shaft of natural light that enters the rooms feels intentional and lovingly curated. The care that went into restoring the Galgenhaus—its aged surfaces harmonizing with the minimalism of the exhibited art—imbues the space with a presence that speaks of past lives and continuing legacies.

Upon entering, I felt something immediate and profound: a HeartGLO—an energetic warmth that vibrated from the floorboards to the ceiling. This wasn’t merely metaphorical. The space truly emanates a kind of frequency that speaks to the heart. And this, I believe, stems in large part from the vision and energy of Justus Kewenig himself. In an art world often driven by ego, profit, and cerebral distance, it is rare to meet a gallerist who leads with intuition and heart-centred intention. This makes KEWENIG Berlin unique—not because of its reputation or even the prestige of its exhibitions, but because it is alive.

The current installation is minimal and conceptual in form. At first glance, it might seem restrained or even inaccessible. But conceptual art requires time and humility; it does not reveal itself instantly. One must ask, “What is this work asking of me?” In this case, the work asks us to consider the nature of permanence. What do we hold on to? What do we build, only to watch crumble? What are we truly building when we create—structures, or meaning? These questions resonated deeply with me, especially in the context of spiritual teachings that suggest Earth is but a temporary home for many. Some souls may incarnate here repeatedly, as part of the Earth’s story. Others may be merely passing through. But no one stays forever.

The artworks in this exhibition reflect that truth. Their sparseness gives room for contemplation. Their placement, aligned with the gallery’s old bones, speaks to layered time—past, present, and potential futures. I found myself thinking not just about the art on the walls but about the space between—the silences, the absences, the light bouncing off rough textures and worn edges. Even the uncovered window became part of the show. The view beyond it served as a living artwork: the demolished building, the signage on the fence, the void in the city’s architectural skin—all of it held meaning, all of it whispered the same truth.

While many galleries in Berlin offer excellent programming, I walked away from KEWENIG with something more enduring—a vibration, a sensation, an alignment. It reminded me that the spaces we move through, the structures we admire or inhabit, are temporary palaces. We build them, we love them, and then—sometimes—they are gone. What remains is the energy we felt within them. And this gallery, without a doubt, is a portal to such energy.

For those attuned to subtlety, energy, and depth, a visit to KEWENIG Berlin is not just recommended—it’s essential. It offers not only a feast for the eyes but nourishment for the soul. It is a place where conceptual art meets cosmic contemplation, where architectural history meets emotional presence, and where the material becomes a gateway to the immaterial.

As I reflect on my experience, I return to the moment I misread “palaces” as “places.” I no longer see it as a mistake. It was a poetic slip—one that captured the essence of the exhibition more perfectly than anything else. Because in the end, all places are temporary places, too.

— Dr. Anna Biela

POTOK

A Soulful Art Critique: “Potok” as a Living Manifestation of HeartGLO and the Flow of Consciousness

By: Dr. Anna Biela 02.05.2025 Berlin 08:04 am

In “Potok,” Anna Katarzyna Biela reveals more than a painting — she initiates an energetic experience, a living flow of consciousness made visible through color, breath, and co-creation. As the first visual and spiritual manifestation of the “HeartGLO” series, “Potok” is not merely an artwork — it is a beginning. A pulse. A stream of life-force energy flowing directly from the heart and returning to the collective field.

The painting was created entirely with spray paint during a three-day public art performance. During this time, passersby were invited to co-create — to interact with the work, join the act of painting, and respond to the colors, the atmosphere, and the intuition of the moment. Their presence became part of the work — each gesture, each hand movement, each mist of color added not only pigment, but intention and vibration. What emerged is a true collective artwork, resonating with the authenticity of shared experience. “Potok” breathes with the souls of those who touched it, observed it, or simply stood nearby.

For Biela, the use of spray paint is no coincidence. It is a conscious act rooted in a bioenergetic approach to creation. Spray becomes an extension of the inner flow of the body — it moves quickly, freely, without control or hesitation. It allows energy, emotion, and spirit to flow directly from the inside out, bypassing the mind. It is breath. Liberation. Presence in motion.

Turquoise shades — interwoven with blues, silver, and gray — are characteristic of Biela’s visual language. But in “Potok,” they take on a new quality: lighter, more transparent, as if illuminated from within. This is not just a color palette, but an entire sensation — a “turquoise feeling,” a frequency, a state of being. A heart-centered presence that gently permeates the space, inviting stillness, openness, and the sensing of subtle inner movements.

“Potok” does not end at the canvas edges. It expands — energetically and spatially — transforming the surrounding area into a field of resonance. It invites everyone who enters to feel its rhythm, to synchronize with their own breath, with the movement of their inner stream. It is not a painting to simply look at. It is a portal. A mirror. A current.

The space around “Potok” becomes a sanctuary of presence — a living installation activated by people. Everyone who steps inside becomes part of the work, part of the flow. The boundary between artist, viewer, and artwork dissolves. “HeartGLO” is not something to observe. It is something to be “shared.”

Here, art returns to its essence: it is a ritual of connection. A flow of life. “Potok” reminds us that creation is not a solitary act — it is a communal one. And when we open ourselves to the flow, we remember who we truly are: living expressions of Earth and Cosmos, connected through the breath of the heart.

MADOA HeartGLO | POTOK Performance

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FINISHED

POTOK PERFORMANCE

April 25–27, 2025 @bulvary_wro

by @anna__biela & @madoa2016 @aner10n3

Big applause to everyone who participated over the three days in the MADOA HeartGLO Spray Performance “POTOK”!

I’m continuing to paint at Bulvary as part of the MADOA HeartGLO Art Residency, from April 15 to May 30, 2025. You can watch me creating the HeartGLO spray paintings live!

For the first time in my life, I’m creating art with the intention to sell — allowing the energy I put into my work to flow back to me.

The POTOK exhibition is open until May 5 at BLVR 3 — call me if you’d like to book a private guided tour!

The TURKUS exhibition will begin in May — the exact opening date will be announced once I complete the installation process, which is a vital and creative part of my work.

Looking forward to seeing you on May 17 during Museum Night for the vernissage of our “POTOK” performance — a 150x1000 cm piece that will also become part of my solo show TURKUS at BLVR 1!

Message me if you painted POTOK so I can credit you!

🇵🇱

ZAKOŃCZONE

PERFORMANCE “POTOK”

25–27 kwietnia 2025 @bulvary_wro

autorzy: @anna__biela & @madoa2016 @aner10n3

Wielkie brawa dla wszystkich, którzy uczestniczyli w trzydniowym MADOA HeartGLO Spray Performance „POTOK”!

Kontynuuję malowanie na Bulwarach w ramach rezydencji artystycznej MADOA HeartGLO, która trwa od 15 kwietnia do 30 maja 2025. Możecie na żywo obserwować, jak tworzę sprayowe obrazy HeartGLO!

Po raz pierwszy w życiu tworzę sztukę z intencją sprzedaży — pozwalając, by energia, którą wkładam w moje prace, mogła do mnie wrócić.

Wystawa POTOK jest otwarta do 5 maja w BLVR 3 — zadzwoń do mnie, jeśli chcesz umówić się na prywatne oprowadzanie!

Wystawa TURKUS rozpocznie się w maju — dokładną datę otwarcia podam, gdy zakończę proces instalacji, który jest ważną i kreatywną częścią mojej pracy.

Do zobaczenia 17 maja podczas Nocy Muzeów na wernisażu naszego performance’u „POTOK” — dzieła o wymiarach 150x1000 cm, które stanie się częścią mojej indywidualnej wystawy TURKUS w BLVR 1!

Napisz do mnie, jeśli malowałeś/malowałaś POTOK, abym mogła Cię podpisać!

POTOK | Performance | 25.04 5PM - 27.04 5PM

I create light that grounds the heart.

Dr. Anna Biela, April 25, 2025, Wroclaw, 10:38 AM

Through my art, I channel the energy of the Earth and the Cosmos, creating a space where light and energy can flow freely, grounding the heart and inviting balance and healing. In the MADOA Heart GLO series, this intention deepens, and each painting reflects the dynamic interaction of light, energy, and transformation.

During my residency at MADOA, I introduce the energy of the Flow of the Stream—symbolizing the constant movement of energy that connects all living beings. This flow is ever-transforming and grounding.

My aim in this presentation is to show others how this energy, like a flowing stream, can move through us, awakening our hearts and grounding our spirituality. The Flow of the Stream is not just a concept in my work—it is a living, breathing force that unites us all. It represents the flow of life, the currents that carry us through challenges and joys, and the healing power of allowing energy to flow freely.

While painting, I invite the audience to consciously experience this flow of energy, to feel the rhythm of the stream that connects us to nature and the divine order. My work becomes a shared experience of transformation, where the heart finds its grounding in the light, and the flow of energy becomes visible and palpable.

In this presentation, the Heart GLO series goes beyond the canvas—becoming a living experience of light, energy, and connection. The act of painting becomes a moment where the stream of life flows freely, inviting all who experience it to reconnect with their inner light, feel the currents that guide us, and find healing through this flow.

Join me today at 5:00 PM on the Bulvary to participate in an immersive experience of transformation, energy, and light. Feel the flow, connect with your heart, and be part of creating a painting that will culminate in a special finissage on Sunday, April 27, at 5:00 PM. The painting we create together will be revealed, concluding this shared journey towards healing and harmony.

Event Link

https://www.facebook.com/share/1EbX1r3bRw/?mibextid=wwXIfr

Fairy Hands

Fairy Hands in the Green House

Right now, I’m working from my green house—this living space where nature breathes with me, and everything is alive with presence. The light, the leaves, the stillness… it all supports the energy work I’m doing. It feels like the perfect place for this chapter of my journey.

Ever since I began meditating at 16, I’ve felt energy moving through me—gentle, undeniable, like something ancient remembering itself. My path with Rei Ki awakened my hands. They became more than hands—they became fairy hands. The hands of a spiritual being, carrying light across space, time, and emotion. At raves, I’d gather energy into a chi ball and offer it to someone who needed a little love. I didn’t have to think—I just knew.

Now, as part of my Shaolin training—and thanks to a self-mastery course I received after sharing my cancer story—I’m learning the deep, intentional practice behind what once flowed instinctively. The fairy hands are part of the training. They’ve always been with me, but now they’re finding form, direction, devotion.

Here in the green house, I breathe with the plants. I feel the energy rain. I shape chi with my palms and remember that this is what “normal” feels like for me—alive, connected, in flow.

Soon, I’ll go to the forest, where my practice can deepen. But for now, I offer what I have—my breath, my rain, my fairy hands, my light.

Thank you for this path.

Thank you for this moment.

Thank you for remembering with me.

RKW

TOMORROW: Tune in to Radio Wrocław Kultura with Maciek Przestalski – I’ll be on air just after 16:30!

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POTOK | Anna Biela

Feel the soul of the stream

BLVR 3.4, BULVARY, Księcia Witolda 11, Wrocław

Part of BULVARY Design & Food

25.04 | 16:00–22:00

26.04 | 12:00–22:00

27.04 | 12:00–19:00

A painterly story about water and flow. Spray paintings inspired by the spring of St. John in Debrad.

Join in the creation of a collective POTOK – leave your mark with spray paint.

The final result will be presented during Night of Museums at BLVR 1, BULVARY.

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Turquoise Flow | The Color of Anna Biela

09.05–29.05 | BLVR 1, BULVARY

Paintings and murals born from a single color vibration: turquoise, blue, and grey.

From urban containers to canvas – one flow, one feeling.

The exhibition will feature all artworks created since 2020 using the same color palette.

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HeartGLO

MADOA Art Residency at the BULVARY

Unit: BLVR 3.4 & BLVR 1.0

15.04–30.05, 2025 

A new series inspired by the radiant energy flowing from the heart will be created – HeartGLO (HEART GLOW).

The paintings will be available under a “pay what you feel” model – for the first time, offered for sale during the creative process.

As part of the MADOA HeartGLO residencies in Poland, Slovakia, Hungary, and Romania, a total of 100 paintings (70×140 cm) will be created.

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TREE FLOW | Installation by Anna Biela

The soul of trees in an art space

View Room | Butelkownia 5 | Browary Wrocławskie | Unit 224/5

Open from April 4, 2025 until further notice | Free entry

Visits by appointment: +48 601 323 501

Created in harmony with Divine Law – unity, love, and life.

This is not form – it is presence. A living forest that breathes with you.

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Mural for Oncology | Hospital on Kamińskiego Street

A mural in the waiting room of the oncology ward, inspired by the TREE FLOW series.

A space of calm, greenery, and spiritual strength – for those who wait.

Painting from the POTOK series, 50 × 120 cm, spray on canvas, Debrad, Slovakia, 2024.

POTOK

💧POTOK by Anna Biela💧

Feel the soul of the stream

BLVR 3.4

Bulvary, Księcia Witolda 11, Wrocław

As part of the

BULVARY Design&Food event

April 25 | 4:00 PM–10:00 PM

April 26 | 12:00 PM–10:00 PM

April 27 | 12:00 PM–7:00 PM

Be part of the experience by leaving your mark with spray paint.

💧POTOK💧

The series by Anna Biela is a painted representation of a stream—both in its physical and symbolic form. It was created, inspired by flowing water, during an art residency in Debrad, Slovakia in 2024, at a site where the spring of St. John emerges from underground.

POTOK is a cycle created in direct contact with nature, at the source and stream, where the artist intuitively captured the movement, rhythm, and spirit of the water. The spray-painted works convey flow, lightness, and the strength of life in constant motion. The stream becomes a metaphor for the flow of energy—between heaven and earth, spirit and matter, inner and outer worlds.

As part of the Bulvary Design & Food event, a collective, visual Potok will also be created in the BLVR 3.4 space at Bulvary Wrocławskie—a live artwork in which everyone is invited to participate. Every person who enters the venue will be able to leave their spray mark, becoming a part of this flowing composition.

This collective painting will be presented in May during Museum Night in the BLVR 1 space, as part of an exhibition continuing the story of flow, co-creation, and unity in movement.

POTOK is an invitation to pause, breathe, and tune into the inner current—just as one listens to the murmur of water, which reminds us of what is alive, primal, and ever-flowing.

Visit the artist’s website to see the full documentation of the works presented in the exhibition:

www.annabiela.com

Instagram: @anna__biela

💧ANNA BIELA💧

Dr. Anna Biela is a Polish-Canadian artist and graphic designer whose rich academic and professional experience has been shaped by years of intensive creative work. Her artistic journey began at the Ontario College of Art and Design in Toronto, where she studied graphic design. After graduating in 2002, she continued her education at the Eugeniusz Geppert Academy of Fine Arts in Wrocław, where she earned her MFA with the project “A New Era in Graphics – The Prism.”

From 2007–2011, she pursued doctoral studies at the Jan Matejko Academy of Fine Arts in Kraków. In 2016, she defended her doctoral thesis in Warsaw under the supervision of the Academy of Fine Arts there. Her dissertation “Identity in the Face of Oneness” and her painting series “10N3” have been widely exhibited in Poland and across Europe.

For over two decades, Biela has developed her artistic practice with a focus on the “flow” state—the movement of energy and spirit. She specializes in plein-air painting and site-specific installations, combining spray paint with surfaces such as canvas and walls. As a result, her works harmonize with their surroundings, creating a unique fusion of art and space. Simultaneously, in line with the nature of graffiti and street art, some murals are painted on surfaces that later become canvases for new works—part of an ongoing dialogue and evolution of public spaces.

Her art evolves through numerous artist residencies across Europe, with the creative process documented on social media. Since 2012, she has been the curator at MADOA (Multicultural Art and Design Open Air), where she leads easel and mural projects in public spaces throughout Wrocław, including MADOA PARK ART. In 2023, she opened MADOA VIEW ROOM, an exhibition space for MADOA residents. Her murals can be admired not only in Wrocław but also in cities such as Bethlehem, Amsterdam, London, Novi Sad, Porto, Warsaw, and many other places in Poland.

Anna Biela is a member of the Association of Polish Artists and Designers (ZPAP) and has participated in numerous solo and group exhibitions. Her work, blending various painting techniques, is visually captivating and emotionally profound. Although she often uses a limited color palette—mainly shades of green and blue—she skillfully conveys subtle rhythms of line and smooth tonal transitions.

As an artist, curator, and critic of her own soul, Dr. Anna Biela constantly pushes the boundaries of abstract art, encouraging audiences to explore deeper layers of reality. Her works create a unique dialogue between humans and nature, revealing metaphysical dimensions.

1998–2002: Ontario College of Art and Design, Toronto, Ontario, Canada; Faculty of Design, Graphic Design Studio

2002: Diploma in Graphic Design at the Ontario College of Art & Design (OCAD)

2005–2007: Eugeniusz Geppert Academy of Fine Arts, Wrocław, Poland; Faculty of Graphics, Graphic Design Studio, Prof. E. Smoliński; Faculty of Media Arts, Multimedia Installation Studio, Prof. R. Jędroś

2007: Master of Fine Arts (MFA)

2007–2011: Jan Matejko Academy of Fine Arts, Kraków, Poland; Doctoral Studies, Faculty of Painting, Interdisciplinary Studio, Prof. Z. Bajek

Since 2012: Art Curator at MADOA (Multicultural Art and Design Open Air)

2015–2016: Academy of Fine Arts, Faculty of Painting, Warsaw, Poland

2016: Ph.D. in Fine Arts

2017–2020: Member of ZPAP Gdańsk (Association of Polish Artists and Designers), Gdańsk, Poland

Since 2020: Member of ZPAP Warsaw (Association of Polish Artists and Designers), Warsaw, Poland

LAS

LAS Anny Biela w View Room

Poczuj duszę lasu w mojej prywatnej przestrzeni sztuki – Butelkownia 5, Browary Wrocławskie, lokal 224/5

(ta sama klatka co Beer Loft, pierwsze piętro)

Dzień otwarty: 12.04 | 15:00–3:00 Wstęp wolny | Art + Natura + Energia

Kontakt: +48 601 323 501

#AnnaBiela #LAS #ViewRoom #BrowaryWrocławskie #WrocławSztuka #OpenStudio #ForestVibes #ArtEvent #Wystawa #SztukaWrocław

Opis Instalacji

LAS – Dusza w Przepływie Boskiego Prawa

Ta instalacja powstała z potrzeby połączenia. Z potrzeby przypomnienia sobie – i Tobie – że wszystko jest jednym. Że każde drzewo, każdy liść, każdy szept wiatru niesie świętość.

Tworząc „Las”, działam w zgodzie z Boskim Prawem – prawem jedności, miłości i życia. Nie narzucam formy – pozwalam, by przepływ energii sam prowadził rękę. To nie tylko instalacja – to dusza lasu, która wyłania się z przestrzeni i materii, by oddychać z nami jednym oddechem.

Las to żywa istota. Ma swoje serce, swój rytm, swój głos. Moim zadaniem jako artystki jest słuchać, czuć i nie przeszkadzać. W tej pracy nie tworzę „czegoś o lesie” – ja tworzę z lasem i dla lasu, współtworzę jego duszę w przestrzeni, która chce ją przyjąć.

To miejsce jest zaproszeniem.

Usiądź. Zatrzymaj się. Posłuchaj.

Może usłyszysz siebie. - Dr Anna Biela 10.04.2025 Wrocław 6:08 am

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English

THE FOREST by Anna Biela in the View Room

Feel the soul of the forest in my private art space – Butelkownia 5, Browary Wrocławskie, unit 224/5

(same entrance as Beer Loft, first floor)

Open Day: April 12 | 3:00 PM – 3:00 AM

Free Entry | Art + Nature + Energy

Contact: +48 601 323 501

#AnnaBiela #FOREST #ViewRoom #BrowaryWroclawskie #WroclawArt #OpenStudio #ForestVibes #ArtEvent #Exhibition #ArtInWroclaw

Installation Description

THE FOREST – A Soul in the Flow of Divine Law

This installation was born from a need for connection. A need to remind myself – and you – that everything is one. That every tree, every leaf, every whisper of wind carries sacredness.

While creating The Forest, I act in harmony with Divine Law – the law of unity, love, and life. I don’t impose form – I allow the flow of energy to guide my hand. This is not just an installation – it is the soul of the forest, emerging from space and matter to breathe with us in one shared breath.

The forest is a living being. It has its own heart, rhythm, and voice. My task as an artist is to listen, to feel, and not to interfere. In this work, I am not creating “something about the forest” – I am creating with the forest and for the forest, co-creating its soul in a space that is ready to receive it.

This place is an invitation.

Sit down. Pause. Listen.

Maybe you will hear yourself. - Dr. Anna Biela 10.04.2025 Wrocław 6:08 am

Hammer Time

Hammer Time has nothing to do with MC Hammer… or does it?

By: Dr. Anna Biela 07.04.2025 Wroclaw 8:22 am

While working on my Tree Flow installation in the View Room, sweating it out half-naked (because climbing ladders and hanging paintings and setting lights is no joke!), I casually looked up “Hammer Time” and guess what popped up? The second part of the jingle: “you can’t touch this.”

Call it coincidence or synchronicity, but that hit me deep.

“You can’t touch this” perfectly summed up my choice of abstinence since Christmas 2023. A sacred pause in honor of something far greater—preparing for my Twin Flame Union in the 3D.

After years of love, loss, and learning, I know now that I’m not here for casual connection. I’m here for Cosmic Union.

Sex with anyone but my Twin Flame? Never again.

This body, this energy—it’s sacred, and it’s waiting for that one true resonance.

So yeah… Hammer Time isn’t about the song.

But “you can’t touch this”? That’s my truth.

PURPLE CANDLE

A Candle for Liberation: A True Story, a Soul Mission, and the Rising Wave

By: Dr. Anna Biela 05.04.3025 Wroclaw 8:38 am

Let me tell you a true story of a dream my friend had. When she woke from it, she realized her aunt, who had recently passed, was still here among the living in a ghost form. She asked her for help. My friend asked me what I thought the aunt needed, and it was obvious to me that she needed to be guided out of the system—she didn’t have the strength to break out on her own. Souls that lose all their energy while still in the body enter the reincarnation system and always return to the same level—it’s a trap. If they manage to break out of the system, they can return home and come back as conscious souls.

Yesterday I bought a candle to cleanse myself and release the limiting beliefs that are preventing me from fulfilling my soul mission, which is to start an art movement called HeartGLO. The idea for the name came to me after I exchanged several emails with my Twin Flame in 2024. Back in 2005, my consciousness expanded and I became one with everything—I was in GOD consciousness. And when my consciousness retracted and I became contained again in my temple, I came back with the vision of the art movement as a massive wave of energy that will sweep the world of all that needs to go, so that we can move forward in harmony as a collective—Earth and its inhabitants.

It is clear to me that this is not something I can do alone. At least one has tried before me—my Twin Flame. This is something we must do together in order to generate the energy needed to get the ball rolling. When we meet in person, our energy will merge in a way that will elevate us into the aquamarine heart center—as one. Others will join, of course, and my idea is to start to organize MADOA in the Holy Land. The bigger the crowd, the wider and faster the energy will spread and cleanse the aura of the Holy Land.

That being said, I don’t need my Twin Flame to help me—as I will do this regardless—but it just might take me a little longer to get organized for the Multicultural Art and Design Open Air. This is also not my invention; it was a gift I received in 2012, when I woke up and then found my Twin Flame. It has been clear to me from the very start who he is, and that I would love his insight, and I am determined to continue on my journey.

I am never alone, as God is my Father, and I know this. Just like Jesus is my brother—and I know this. We can all be like Jesus. It is an awareness that we are all children of God, regardless of race or gender. We are all children of our Mother Earth. May we come together as children of the Earth and of God—as conscious people, artists, and designers, creative beings. Our energy united is by far greater than the will of a few dictators who try to take over the world and make slaves of our souls.

We are free people, free souls, and we rise like a tide and start a massive wave. This is the true meaning behind Massive Attack.

That being said, I light my third candle—a purple one—with the intention of my friend’s aunt, who asked for help after I visited her home. But this candle is not only a light to guide her soul—it is for all souls that are trapped in the system and cannot get out.

All these souls are free.

Free.

Free.

Go home to Dad—and come back with a conscious mission to help us here on Earth to transform and clear the aura of our world.

MADOA HeartGLO: Bulvary Wrocław

BULVARY: MADOA HeartGLO Art Residency, FLOW Exhibition, WYPŁYW Preview & Collective Painting at Gastro Miasto (April 25–27, 2025)

By Dr. Anna Biela 1.04.2025 Wroclaw 13:23

I invite you to the preview of the FLOW exhibition, featuring my painting Spirit Flow, never displayed before since its creation in Debrad, Slovakia—Wypływ. This special event will take place at Bulvary Food & Design, near Wrocław’s Town Square (Rynek), during the Gastro Miasto festival from April 25–27. More than just an exhibition, it will be a space for shared creation and energetic harmony.

As part of the event, we will create a collective painting on a 1.6 x 10 m paper roll that has traveled with me to Debrad three times but was never used. This roll has absorbed the energy of that sacred place where Wypływ was born. Now, it’s ready to carry the movement and expression of all of us. Everyone is invited to leave their own “wypływ”—a sweeping motion of the arm across 10 meters with spray paint, capturing pure energy and free expression.

The FLOW exhibition installation will begin on May 5, 2025, as the painting moves from Gallery 3.4 to Gallery 1.0, a spacious 800m² venue. But I invite you now to mark your calendars for Museum Night on May 17, 2025, where you can fully experience the FLOW exhibition and become part of this unfolding journey.

Throughout the MADOA HeartGLO Art Residency at Bulvary, I will also be creating HeartGLO paintings—100 canvases (70x140 cm), available without a set price for anyone who feels called to them. A zrzutka (crowdfunding platform) will be set up, with all proceeds supporting the MADOA HeartGLO project in the Holy Land, based in Bethlehem.

And one more thing—I’m preparing a surprise concert during the event! Stay tuned for more details.

BALANCED HEART

Creating Heaven on Earth Through Art: The Energy of Cosmos and Earth Emerges from the Heart

By Dr. Anna Biela

29.03.2025, Wrocław, 8:26 AM

For a long time, I’ve believed that our mission as spiritual beings is to create heaven on Earth. What once seemed like a dream is now becoming a reality through art. For twenty years, I’ve been searching for a way to express this idea, and now I see that art can be the key to transforming our reality.

In my vision, art is a bridge that connects the energy of Earth with that of the Cosmos. It is in the heart, the place where these two powerful forces meet, that true magic is born. From here, creativity arises with the power to heal, inspire, and change the world for the better.

Art that transcends both material and spiritual boundaries creates a space for harmony. When the life-filled energy of Earth—full of water, plants, and vitality—meets the subtle, light-filled cosmic energy, they unite to create balance. This energy, blending in our hearts, is passed on through our works.

When I create, I strive to convey this balance and connection. My paintings don’t just depict the world; they become a bridge that allows others to feel this energy and connect with the greater order of the universe.

Each piece serves as a reminder that what truly matters is right here on Earth, yet its roots lie in the cosmos. My goal is to invite others to co-create this space full of love, harmony, and peace.

Together, we create—building heaven on Earth through art, through our connection with what surrounds us, and through the heart that beats in rhythm with the universe.

Join me in this venture from April 25-27 at Bulvary Wrocław for ‘WYPŁYW.’

Let’s co-create together!

Weight

Releasing the Weight That Isn’t Mine – My Journey with Bioenergy Therapy

By Dr. Anna Biela 28.03..2025 Wrocław 7:37 am

A few weeks ago, I began bioenergy therapy with Henryk Prusakowski (@dobre.bycie), and it has already transformed the way I understand my body, my energy, and the weight I carry—not just physically, but emotionally and energetically.

For years, I felt a heaviness in my body that I couldn’t quite explain. It wasn’t just about flesh; it was something deeper. My posture had started to collapse inward, my back rounding ever so slightly, as if I was unconsciously curling around the burdens I carried. I see now that this wasn’t just a physical issue—it was an accumulation of energy, emotions, and experiences that weren’t even mine to hold.

In our sessions, Henryk helps me clear and release this energetic weight. Through his work, I’m actively sending back all the emotions that have been weighing me down. Some of these emotions belong to past experiences, some to other people, and some to patterns I unknowingly adopted. But they don’t belong in my body anymore.

And the most incredible thing? It works.

As I shed this unseen weight, I feel lighter—physically and energetically. My back naturally straightens without force. It’s not about “trying to stand up straight” anymore; it’s about no longer carrying what was bending me down in the first place.

This is part of a regular bioenergy practice, one that reminds me: the real weight we carry is not in our flesh, but in our energy. When we release what doesn’t serve us, our bodies respond. Mine is already shifting, unfolding, standing taller.

I’m on a journey to reclaim my own energy, and I feel stronger with every step. If you’ve ever felt a weight you couldn’t explain, maybe it’s not yours to hold either.

„Thank you „ name of person” for the energy you sent. I am returning the emotions within it—may they harm no one on their way back to you, and when they reach you, may they transform into the energy of love.”

Genocide

Reflections on Humanity, Memory, and Genocide

By Dr. Anna Biela 25.03.2025 Berlin

Visiting the Berlin Bunker Story Museum left me shaken. Seeing the images and reading the stories of how Hitler came to power and orchestrated mass genocide made me reflect deeply on the way history is remembered. The Holocaust claimed the lives of 12 million people—6 million of whom were Jewish. But what about the other 6 million? Poles, Russians, Romani, people with disabilities, LGBTQ individuals—why do their stories seem to fade into the background? Aren’t all human lives of equal value?

It makes me question why, when we speak of the Holocaust, we predominantly remember Jewish victims while so many others remain unspoken. The Holocaust was a crime against humanity, not just against one people. Every victim deserves to be remembered, every story deserves to be told.

This reflection extends beyond history into the present. When I think about genocide, I cannot ignore what is happening in Gaza today. The irony is painful—the people who once suffered so greatly are now inflicting suffering on others. Starvation, bombings, displacement—these are not just headlines, they are lived realities for men, women, and children. Human life should never be devalued, no matter who the victims or the aggressors are.

History has shown us the darkest depths of what we are capable of as a species. If we do not acknowledge all victims of past genocides, we risk repeating the same horrors. We cannot pick and choose whose suffering is worth remembering and whose is not.

Today, I take a moment of silence for all who have been killed—past and present. May we learn, may we do better, may we never turn away from the truth.

Balance

HeartGLO: The Balance of Giving and Receiving

For so long, I was giving but not receiving. My energy flowed outward—always considering others, how they felt, what they needed—while I kept my own emotions locked inside. I didn’t want to hurt anyone, so I suppressed my feelings, my needs. I put myself last, believing that was the right thing to do.

But energy doesn’t work like that. Life doesn’t work like that. If we only give and never receive, we become unbalanced. And imbalance has consequences. For me, it manifested in my body—the extra weight I carried, the lump in my breast, the blocked energy keeping me from fully connecting with the Earth. I could feel the flow from the Cosmos into my heart, but the grounding energy of the Earth was missing. I didn’t even realize it. Without that connection, I wasn’t fully present. I wasn’t fully me.

Yesterday, that changed.

During my first session with @dobre.bycie Henryk, he unblocked my lower chakras, allowing the Earth’s energy to rise into my heart and meet the Cosmic energy already present. For the first time in a long time, I feel whole—balanced between above and below, fully present in myself. And in that moment, I understood something profound: I must allow myself to receive. Not just energy, but love, support, and abundance. I have to be the most important person in my own life.

With this realization, a new chapter begins.

I’ve decided to create a series of 100 paintings—each 70x140 cm—infused with this newfound balance. These paintings will not have a set price. Instead, they will be available to anyone who feels called to them, with the value determined by what the person sees in the piece. This is my way of letting energy flow freely—of giving and receiving in harmony.

I remember a man I met in Venice in November 2024 who told me, “You are a witch with an open mind.” Now I understand what he saw. He saw my open chakras, my ability to channel energy from the Cosmos. But he did not tell me what was missing. I was not grounded.

Now, I see myself clearly. Now, I am in flow.

This is my HeartGLO. This is my art. This is my path forward.

BALANCE.

Declaration of Freedom

I declare to the whole world and to myself that I break and revoke all oaths and commitments, all contracts and promises that I have taken upon myself. To you, witnesses of my acceptance of these commitments, I give my thanks. I release you from the entrusted duty. I declare to myself and to the whole world that from this moment on, I take full responsibility for myself, upon myself. I am free, free, free.