• ANNA BIELA
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  • ONE
    • 10N3 / Ph.D THESIS by ANNA BIELA
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    • MURAL / PORTO
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    • MADOA aqua / INFORMACJA PRASOWA
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    • MADOA BOUNDARYless
    • MADOA bezRAM / PRESS RELEASE
    • MADOA by ANNA BIELA

ANNA BIELA

He[art]

  • ANNA BIELA
    • HOME
    • About
    • Contact
    • GABRIEL
  • VIEW ROOM
    • OUTPOURING
    • JESUS
    • LAS “Tree Flow”
  • FLOW BLOG
  • FLOW WGS BWA
    • FLOW CONCEPT
    • Flow 27.09-11.11 2024
    • Flow Vernissage 27.09.24
    • FLOW Finissage 9.11.2024.18:00
    • FLOW Finissage RADIO SUDETY
  • Earth Flow
    • Earth Flow
  • Stream Flow
    • Stream Flow Verical
    • Stream Flow Horizontal
    • Stream Flow Site-Specific
  • Source Flow
    • Source Flow Vertical
    • Source Flow Horizontal
  • Twin Flame Flow
    • TWIN FLAME FLOW Vertical
    • Twin Flame Flow Horizontal
    • Twin Flame Flow Site-Specific
    • Twin Flame Flow Video
  • Tree Flow
    • Tree Flow Horizontal
    • Tree Flow Vertical
    • Tree Flow Site-Specific
  • Spirit Flow
    • Spirit Flow Vertical
    • Spirit Flow Site-Specific
    • Spirit Flow Horizontal
  • ONE
    • 10N3 / Ph.D THESIS by ANNA BIELA
    • 10N3/ IDENTITY / PORTRAITS
    • 10N3 / PROCESS
    • 10N3 / TRANSFORMATION
    • 10N3 / MASKS
    • 10N3 / BEAUTY
    • 10N3 / 022 ART GALLERY / WARSAW
    • 10 SENSE / MUSEUM / GORLICE
  • HSP
    • JESUS
    • JOLA / 1
    • JOLA / 2
    • KANDINSKY
    • HAWKING
    • PRZESTALSKI
    • SELFIE / 1
    • SELFIE / 2
    • SELFIE / 4
    • SELFIE / 3
    • SOUL / 1
    • SOUL / 2
    • SOUL / 4
    • SOUL / 3
    • SOUL / 5
    • JESUS / BETHLEHEM
    • SLEFIE / 5
    • EXHIBITION / HONDA BIELA / PHOTO
    • EXHIBITION / FACE TO FACE / OLESNICA
  • MURAL
    • MURAL / PORTO
    • MURAL / WROCLAW / HAWKING
    • PARK ART
  • MADOA
    • MADOA aqua / INFORMACJA PRASOWA
    • MADOA aqua / PRESS RELEASE
    • MADOA aqua / ZANURZENI
    • MADOA aqua 2021
    • MADOA aqua / INNI
    • MADOA BOUNDARYless
    • MADOA bezRAM / PRESS RELEASE
    • MADOA by ANNA BIELA

Mind Clutter

How Unconscious Thoughts Create Our Present Reality

By Anna Biela, Ph.D.
Rockaway Park (Bristol)
20.09.2026

One of the things I have been learning through synchronicity is how much attention I need to give to my thoughts.

Not only the thoughts I consciously choose, but especially the thoughts that appear without me consciously creating them.

I call this mind clutter.

Mental recall—replaying scenes in the mind, imagining conversations, remembering what happened, wondering what someone meant, creating possible scenarios, or going over something again and again—can become a constant stream of unconscious thinking.

Before we even realize it, the mind starts creating.

A memory appears.

A feeling follows.

Then an interpretation.

Then another thought.

And suddenly, we are inside an entire story that we did not consciously choose.

This is the part I find most difficult.

I have learned that we can be influenced by what we see, what we hear, what we eat, what we feel, and what we think about. For me, the thinking part is the hardest to become conscious of because thoughts can begin flowing before I even notice them.

This is where I feel I have the most work to do.

For me, this has also become a spiritual practice.

I have come to understand my mind as a place that needs discernment. Not every thought that enters my mind needs to be accepted, entertained, or followed.

A thought can appear without being something I consciously chose.

I don’t have to give it my attention.

I don’t have to give it my energy.

I don’t have to turn it into a story.

I can observe it and let it go.

This distinction is important to me because I believe there is a difference between having a thought and feeding a thought.

The first may happen automatically.

The second is where our conscious participation begins.

When we repeatedly think about something, we give it our attention. When we give something our attention, we often give it emotion as well. And when a thought is repeated enough, it can begin to influence how we perceive the present moment.

We may start seeing everything through the lens of that thought.

A memory can affect how we experience today.

A fear can affect how we interpret someone’s words.

An expectation can affect what we notice.

A story we keep replaying can begin to feel like reality—even though it exists primarily inside our own mind.

This is what I mean by the unconscious creation of our reality.

I am not saying that we consciously create every circumstance that happens to us. Life is far more complex than that. But I have learned that our inner world influences the way we experience the outer world.

And that is something I can take responsibility for.

Today, I had one of those moments.

I found myself rethinking whether I had read the signs correctly, whether I had understood the synchronicities correctly, and whether what I experienced actually meant what I thought it meant.

And then I caught myself.

I could feel my mind beginning to spiral.

One thought was creating another, and another, and suddenly I was creating an entire world inside my mind.

Mind clutter.

This is the lesson of today for me: catch yourself before you fall into the spiral.

Pause.

Breathe.

Step back.

Come back to the present.

And perhaps, instead of trying to figure everything out, be a little more whimsical.

I think I am learning that being whimsical can be a beautiful form of letting go.

To leave a little room for mystery.

To not take every thought so seriously.

To allow life to surprise me.

To see the synchronicities, smile at them, and keep moving without needing to immediately turn every sign into a story.

Maybe not everything needs to be analyzed.

Maybe not every question needs an answer today.

Maybe some things can simply be beautiful, curious, playful, and unknown.

For me, the goal is not to have a completely empty mind.

It is to become aware.

To catch myself when I begin replaying something.

To recognize when I am creating a scenario that isn’t happening in the present moment.

To notice when I am allowing fear, imagination, or old memories to take over my attention.

And then to return.

Return to God.

Return to love.

Return to gratitude.

Return to the present moment.

Return to a little more lightness.

Perhaps clearing the mind is not about stopping every thought.

Perhaps it is about no longer allowing every thought to become our reality.

And perhaps the lesson is not always to think less, but to hold our thoughts more lightly.

Today, I choose to be more whimsical.

To trust God.

To stay present.

To notice the signs without becoming lost inside them.

And to remember that I don’t have to solve the mystery.

I can simply enjoy being part of it.

Mind clutter is unconscious creation. Awareness gives us the opportunity to create consciously.

Sunday 09.20.26
Posted by Anna Biela
 

Pre-Save

🤍 INPOURING — my new album is coming September 26 at 12:12 AM, Bristol, UK.

Pre-save it now on Spotify ⚡️

A sonic story of Spirit → Heart → Sound → Art → World.

Dedicated to and inspired by my Twin Flame, the love of my life, and an amazing artist — with Art from the Heart. 🤍

So grateful to God for the love I feel in my heart, and thankful for all the lessons. 🙏🤍

🔗 Pre-save INPOURING

https://distrokid.com/hy.perfollow/annabiela/inpouring

Saturday 09.19.26
Posted by Anna Biela
 

Doubt

London, UK
September 17, 2026
By Anna Biela, Ph.D.

The proximity to my Twin Flame has been more difficult than I thought.

Being this close has made it harder to keep thoughts of parasitic attachments out.

It is almost like what I describe in my song Celestial Bomb: the closer the Twins come to union, the stronger the forces of separation try to keep them apart.

I have had a lot of doubt coming up, and I rebuke these thoughts in the name of Jesus.

Because I know that Twin Flames always love each other, regardless of separation. We see each other’s hearts.

That is what I experienced on my first day in London—a reflection of the heart.

And perhaps that is why the proximity feels so intense. When you see and recognize each other’s hearts, it goes beyond words, circumstances, or expectations.

So when doubt comes up, I remind myself to turn back to Jesus and choose love instead of fear.

Whatever this connection is meant to be, I trust God with it.

The closer the Twins come to union, the more important it becomes to hold onto love, faith, and the truth written in the heart.

Thursday 09.17.26
Posted by Anna Biela
 

UK Art Residency

London 17-20 / 9 / 2026

Bristol 20-27 / 9 / 2026

Monday 09.14.26
Posted by Anna Biela
 

Outpouring

He[art] Outpouring / Inpouring

On September 26, 2026, I bring “Outpouring” to the View Room in Wrocław.

Originally created on May 24, 2026, on Pentecost, “Outpouring” is a site-specific installation made in a forest garden in Mirków (Wrocław). Ten spray-painted canvases, created directly within the landscape, will be presented in the View Room and activated through sound from my new album, “Inpouring.”

I created “Inpouring” on September 11, 2026, in the View Room, drawing from writings about love published on my Flow Blog. The album will be released on September 26, 2026, in Bristol, UK.

“Outpouring” expresses the pouring out of the Holy Spirit into the world — the fruit of the Holy Spirit flowing outward through creation.

“Inpouring” is the inward movement: the pouring of love into the Artist — the Holy Spirit pouring His fruit into me.

OUTPOURING → OUT
INPOURING → IN

Together, these two movements form a cycle of giving and receiving: the Spirit flowing outward into the world and inward into the Artist.

The installation and the album meet at the View Room as one movement:

He[art]

Listen to “Inpouring” — Suno link below.

Visits by appointment.
Please contact me, Anna Biela: +48 601-323-501

Photo: Anna Biela

Paintings: Anna Biela “ANER”

Outpouring — Site-Specific Installation in a Forest

Spray Paint on Canvas, 180 × 120 cm, 10 Panels

May 2026, Mirków (Wrocław)

Sunday 09.13.26
Posted by Anna Biela
 

Inpouring

Inpouring is an 11-track sonic story by visual artist Anna Biela, Ph.D., created from writings originally published on her He[art] Flow Blog.

The album begins with “Healer,” which unfolds through spoken words exploring healing. The following tracks explore life mission, love, longing, faith, and transformation, as well as a deeply personal Twin Flame connection.

Her writings become spoken voice, rhythm, bass, vibration, and electronic music, introducing He[art]step — the message of He[art] — The Heart Art Movement expressed through sound and vibration, inspired by dubstep.

At the heart of the album is the metaphor of shedding Light in the Darkness, expressed through a message of love contrasted with the darkness evoked by dubstep’s heavy, rolling bass and vibration. This dimension of her journey is expressed in “Cupid.”

The album unfolds as one continuous narrative. “Celestial Bomb” appears in both female and male vocal versions, offering two voices within the same story and reflecting the Twin Flame connection.

The journey culminates in “Your Divine Music,” completing the transformation:

Word → Voice → Vibration → Music

Release date: 26/09/26 Bristol

Info: www.annabiela.com

Photo: Anna Biela

Paintings: Anna Biela “ANER”

Outpouring — Site-Specific Installation in a Forest

Spray Paint on Canvas, 180 × 120 cm, 10 Panels

May 2026, Mirków (Wrocław)


Sunday 09.13.26
Posted by Anna Biela
 

MADOA III

How I Became a Famous Art Curator in Wrocław

By Anna Biela, Ph.D.

God had placed a vision in me, and I’m going to tell you how it happened.

It all started at Haus der Kunst in Munich, where I participated in my first-ever Art Camp at the end of June 2012.

When I realized the magnitude of where I was—and who had come before me—something shifted inside me. I could feel the energy of all the great artists who had exhibited there before me. I was deeply inspired.

So, when my new art friends suggested that I should do something similar in Wrocław and invite them, I immediately jumped at the idea. Honestly, I was so grateful that they wanted to come all the way from Munich to Wrocław. I was riding a wave of inspiration that went far beyond the energy of the artists who had come before me and even the artists who were there with me.

And they were all in Wrocław for MADOA that same year, in September—just two months from the initial idea to its execution.

Looking back now, I know it had everything to do with Jesus Christ.

As I mentioned in Part I, one of my friends had contacted me and invited me to the Art Camp, which was sponsored by the Polish Consulate in Munich and organized by Robert Rynarzewski, a Polish artist who had lived in Germany since the 1980s.

Robert lived in Delling, about 30 kilometers from Haus der Kunst and the English Garden, and that is where we all stayed, at his farmhouse art studio.

I drove to Munich with Ewa Pańczyk Hałubiec, who was a new friend—we had only met once before to figure out the logistics. We got into the car and drove together to Delling to participate in the Art Camp.

It was a seven-hour drive, so we had plenty of time to talk and exchange views on many different topics. And, of course, we also talked about our faith.

At the time, I was immersed in the New Age worldview.

Ewa explained her Catholic perspective to me. She told me that she had Jesus as her best friend. That they had a relationship. That they talked.

I found this strange, but at the same time, incredibly intriguing.

Naturally, I was curious, so I asked her many questions. She explained to me how this relationship with Jesus played out in her everyday life.

At that time, I believed in Jesus. I am Catholic, but I saw Him more as a metaphor of the Heart Chakra—a spiritual figure or symbol of divine love—rather than as an actual living presence, God, or someone I could personally have a relationship with.

At Art Camps, it is quite common to stay up until the late hours of the night, drink, talk about life and art, and simply hang out together. Then, the next morning, we would wake up early and head to Haus der Kunst for another day of creating art.

The Art Camp lasted around ten days. We spent about five days at Haus der Kunst, creating our work and presenting it as we worked to the art curators and visitors.

One morning, I woke up feeling sick.

As I have often done since 1997, I started doing hands-on healing on myself to calm my nervous system, relax my breathing, and absorb the pain.

While I was doing it, I remembered the conversation I had had with Ewa during our drive to Munich.

And I thought to myself:

It won’t hurt to ask Jesus to become my best friend.

So I did.

And that was the moment my life began to change.

The strange thing is that I didn’t fully understand what had happened at the time. I only realized it about three weeks later.

You see, everything started falling into place, and somehow I organized a huge event at Honda Biela without ever having the experience or know-how to do it. But somehow, I just knew what to do.

In Part III of the story, I will tell you about the first Art Camp I organized in Wrocław: MADOA — Multicultural Art and Design Open Air, under the patronage of Wrocław European Capital of Culture 2016.

That was the beginning of the vision God had placed in me in Munich, after I invited Him to become my best friend.

But I also knew that this was connected to the vision of the He[art] Art Movement that God had shown me in August 2005, pertaining to my calling and my purpose.

And I had no idea where it was going to take me.

It is still taking me.

Wednesday 09.02.26
Posted by Anna Biela
 

MADOA II

How I Became a Famous Art Curator in Wrocław

By Anna Biela, Ph.D

This part of the story will be about my first Art Camp in Munich, at Haus der Kunst.

COMING NEXT… 👀
Stay Woke.

Wednesday 09.02.26
Posted by Anna Biela
 

MADOA II

How I Became a Famous Art Curator in Wrocław

By Anna Biela, Ph.D

This part of the story will be about my first Art Camp in Munich, at Haus der Kunst.

COMING NEXT… 👀
Stay Woke.

Wednesday 09.02.26
Posted by Anna Biela
 

MADOA I

How I Became a Famous Art Curator in Wrocław

By Anna Biela, Ph.D.

This is a much longer story than I originally planned to tell. But in order to understand what happened—and how I somehow became one of the most recognised art curators in Wrocław—I need to give you some background.

I only realised today just how well known my name, Anna Biela, actually is in Wrocław—not just in the art world, but more broadly, because it has become connected to the vision God placed in me: the Multicultural Art and Design Open Air, aka MADOA, of which I became the visionary.

The funny thing is… I know almost no one. Yet everyone seems to know me.

And that is exactly where this story begins.

Being famous was something I had always believed was promised to me by God. But I never imagined that I would become famous as an art curator. Curating was never my goal.

In fact, it happened almost by accident.

When I was studying at the Academy of Fine Arts in Kraków, I changed departments from Printmaking, with a major in Typography and Letterform Design, to an Interdisciplinary Painting Studio.

My friends immediately stressed how important it was for me to have painting exhibitions on my CV. I was already entering the third and final year of my Ph.D. studies, and I had changed departments—and suddenly found myself in a strange position: starting from zero.

I needed exhibitions.

But I didn’t have them.

For most of my artistic career at that point, I had been working as a graphic designer. I hadn’t participated in exhibitions through the Printmaking Department, nor had I built an exhibition history through design.

So I realised something:

If nobody was going to create these opportunities for me, I had to create them myself.

I had to take matters into my own hands.

And that decision changed everything.

It all started in 2012, when one of my friends from the Academy of Fine Arts in Wrocław reached out to me and asked if I would be interested in going to an art camp in Munich.

I immediately lit up at the idea.

Travel.

Art.

Painting.

Adventure.

I said yes.

And what I didn’t know at the time was that this would become the beginning of a journey that would continue for years.

In fact, I almost never stopped going to art camps and residencies until 2026—the first year I didn’t go to an art camp.

But even then, I somehow ended up doing an art residency of my own:

MADOA in Bethlehem, West Bank, Palestine, at the Walled Off Hotel, where I painted the Separation Barrier for the second time. The first time was in 2019, when I painted Jesus on the gate. In 2026, I returned and painted the Holy Trinity, represented by the dove, the heart, and Issa.

I then had another MADOA Residency in Mirków, Wrocław , Poland where I painted The Outpouring, inspired by the Charismatic Renewal of Faith.

After that, I went to New York, where I created art at the Museum of Modern Art and took part in a group exhibition centered around the 250th anniversary of the United States, Wish Quilt.

My next Art Residency awaits in London and Bristol, and I’m excited to see what time will tell—and what God has planned for me.

And that is where this story gets really interesting.

There is so much more to tell that I realise I can’t possibly fit it all into one post.

So…

to be continued. Stay Woke⚡️

Tuesday 09.01.26
Posted by Anna Biela
 

MADOA

How I Became a Famous Art Curator in Wrocław

By Anna Biela, Ph.D.

This is the story of what happened when I changed departments—from Printmaking to Painting at th Academy of Fine Art in Kraków

COMING NEXT… 👀
Stay woke.

Tuesday 09.01.26
Posted by Anna Biela
 

He[art] Healer

How I Became a Healer of the Soul

By Anna Biela, Ph.D.

This is a story of my life and how my experience inspires the He[art] Art Movement

This story of how I became a healer of the soul is quite long. As you can see, it starts when I was a little girl. When people asked me what I wanted to be when I grew up, I wanted to be a nun.

From early childhood, I felt God calling me, and I always felt quite close to His loving nature. I was always a happy child, a problem-free child. I was never sick, rarely cried, and ate everything — a dream child for my parents.

I was always one of the smartest kids in school. I never needed my parents’ help with homework. I figured everything out on my own, even when I didn’t speak the language.

Right after my First Communion, which I received in Grade 1 together with my brother, who was in Grade 2 — the more usual age for First Communion — my parents decided to speed things up because they already had plans to leave our homeland, cross the Iron Curtain, and try to build a better life for themselves and for us.

It was 1987. I was still only seven years old.

On August 13, we left Poland under the pretext that we were going on vacation to Greece. Little did I know that my life was about to change drastically.

As soon as my parents realized that we had been allowed to cross the border and that we were now in West Germany, they told my brother and me that we were not going back.

We were not going back to our school.
We were not going back to our home.
We were not going back to our family.

I remember my grandmother crying her eyes out as we were leaving. She had come with us all the way to the border to make sure that we would be able to cross with everything we had.

At the border, they searched our trailer and would not allow us to take most of the things my parents had brought with us. Their plan had been to sell those things after crossing the border so we would have some money for our new life.

At that time, the Polish złoty had extremely little value. The average monthly salary was only around ten dollars, so money itself had very little purchasing power. Things that could be sold, however, had much more value.

We ended up in Germany and spent three weeks in Karlsruhe in what felt, to me as a child, almost like a concentration camp for refugees. It felt like a prison.

Eventually, we were relocated to Freiburg, on the edge of the Black Forest (Schwarzwald), one of the most beautiful cities I had ever seen. To me, it looked like heaven.

I started primary school there, and so did my brother. By the time we finished the school year, we could both speak German.

Then our lives changed again.

We moved to Newmarket, Ontario, Canada, where we lived in a motel for two months before housing was found for us. We were sponsored by the Canadian government for a year. My parents were sent to school to learn English, and after that first year, they opened their own business selling leather goods, jackets, furs, and accessories.

We moved several times while I was still in primary school, and I attended three different Catholic primary schools in Newmarket. By the time I entered high school, I was the popular kid. I seemed to know everyone, and I had no trouble making friends — or getting boyfriends. I dated a hockey player in Grade 9 and hung out with the jocks before I eventually became a pothead.

In Grade 8, before entering high school, I decided that I wanted to have my Confirmation and continue with my Catholic faith. At the same time, however, I was becoming a bit of an atheist.

Then I started Catholic high school.

That was when I started smoking weed, going to raves, and experimenting with ecstasy, mushrooms, and LSD.

Around that same time, my Mama became involved with some friends her age who were interested in prayer, meditation, and hands-on healing. I started hanging out with them.

I picked it up very quickly.

I was a natural at it.

This was around 1997. I was seventeen, and I decided to get my Reiki certificate from a Russian Jewish woman living in Israel named Zoya.

Something interesting happened to me when I started healing.

I started believing in God.

Until then, my relationship with God had been complicated. But through healing, I began to experience something that made me feel that there was something greater than myself.

Zoya was so impressed with my abilities that she recommended that I stop going to school, move to Israel with her, and study full-time at a school for the healing arts.

But I was already in the middle of completing my Grade 12 art thesis, and I told her I wasn’t moving to Israel.

I wanted to go to art school.

I wanted to start an Art Movement.

At the same time, I was incredibly passionate about healing. I would heal all my friends. I would do it at school, and they would come to my house after school.

Things became more complicated when I started healing people at raves and after raves.

It was during this period that I experienced what I understood to be my first demonic attack.

I was eighteen years old.

I had been healing people on a daily basis for about a year when I experienced my first attack. It was extremely traumatic. The experience manifested through what I understood as loud, intrusive thought forms telling me to kill or harm myself.

Zoya, my Reiki Master, happened to be visiting from Israel at the time. She helped me through the experience, and I went on to complete Level 2 Reiki with her.

This happened during my first year at OCAD, around the same time that I had decided I wanted to stop doing drugs — and, specifically, stop smoking weed.

After this very traumatic experience, I decided to put the Healing Arts on the back burner and focus on my education in Art and Design.

I had entered OCAD in the first year of the Art and Design program. For my second year, I applied to the Graphic Design department.

I was accepted.

I completed my college degree in Graphic Design and Packaging and then worked for three years at an advertising studio, where I learned the trade of being a graphic designer. I worked on projects for the Hummingbird Centre for the Performing Arts.

This is partly why I don’t like musicals. I used to get free tickets to all the Broadway shows!

But graphic design wasn’t really for me.

I didn’t like not having complete creative freedom.

So I decided to apply to art school in Wrocław, Poland, to the Printmaking Department, because I wanted to become a printmaker.

Before moving to Wrocław, on August 13, 2005, I took time to prepare myself spiritually for the journey.

I asked God for a spiritual reason for why I was moving to Europe.

And that was when I received what I understood as my mission:

To create an energy wave generated by the He[art] Art Movement — the healing energy of the heart — and watch it spread through art.

That became my mission in Europe.

Two years after moving to Poland, I received my MFA degree from the Printmaking Department at the Academy of Fine Arts of Wrocław.

But something unexpected happened during those two years of study.

I fell in love with life drawing.

Instead of going back to Canada, I decided to stay in Poland and moved to Kraków, where I began a doctoral degree in the Printmaking Department, in the Typography Studio.

That did not work out so well for me.

Eventually, I changed departments and moved into Painting.

That decision changed the direction of my artistic life once again and brought me closer to healing, as painting itself is a meditative process.

In 2016, I received my Ph.D. in Painting from the Academy of Fine Arts in Warsaw. I defended my thesis, which was based on the aesthetics of Plotinus and his theory of the One as the source of all creation. My MFA thesis, meanwhile, was centered around the idea of Pantheism.

The change of departments eventually also inspired my graffiti and street art practice. I started painting murals in 2012.

Throughout all those years of studying, creating, and developing as an artist, I was no longer healing.

I wasn’t even meditating.

The Healing Arts had been put completely on the back burner.

Until about two years ago.

I decided that I needed to start going to doctors and getting regular check-ups. During that process, some of the things I was told began to frighten me, especially when the possibility of cancer was raised.

Fear brought me back to healing.

I began working with energy, breathwork, and meditation again, initially with the intention of healing myself. I am still in this process of healing myself, as apparently I have an unusual ability: I believe I can heal myself, even though many people who have a gift for healing believe they cannot heal themselves.

This eventually led me into encounters with Slavic spiritual practitioners who told me that I had parasitic entities feeding on my life force. It also led me to understand that I had the ability to cast out what I experienced as demonic presences from my own energetic field.

One of the wise women who told me about these attachments also told me that I have a natural gift for healing and for casting out demons.

Once again, I feel as though I am back at square one, standing at the threshold of healing.

I have asked God to use me as an instrument of His love and to guide me through this process of returning to healing — and, specifically, to healing the world through art.

Because I had been struggling with what I understood as spiritual attacks myself, I began turning my healing practice inward.

I started healing myself — not from cancer, but from what I understood to be spiritual attacks.

And then something happened that I had not expected.

My spiritual journey led me back to the Catholic faith.

I went through the Charismatic Renewal and began rediscovering my relationship with God, Jesus Christ, and the Holy Spirit.

Through this process, I came to understand healing not simply as something I could do, but as a charism of healing — a gift that I believe God had placed within me long before I understood what it meant.

Looking back now, I can see that the story was always there.

The little girl who wanted to become a nun.

The child who felt close to God.

The seventeen-year-old who discovered healing and, through it, began to believe in God.

The young woman who practiced Reiki and healed her friends.

The artist who wanted to create an He[art] Art Movement.

The woman who moved across continents, studied graphic design, printmaking, and painting, and eventually received a Ph.D. in Art.

And now, the artist who has returned to healing.

For me, these are not separate stories.

They are one story.

The He[art] Art Movement is a healing movement.

I believe that art can reach places that words cannot reach. It can touch the soul, open the heart, awaken something within us, and remind us of our connection to love.

And this is where I understand my own purpose today:

I am an artist, and I am a healer. I am a He[art]ist.

I believe I am here to help heal the world through art.

And Jesus is my Teacher.

I want to learn from the way Jesus loved, healed, forgave, and brought light into the world. I want to create art that carries that same intention — art that moves the soul and opens the heart.

I don’t want to die for my mission.

I want to live.

I want to spend the rest of my life creating art, loving deeply, growing spiritually, and sharing this journey with my Twin Flame.

I want to make art that moves people.

Art that makes people feel.

Art that opens hearts.

Art that reminds us that love is still possible.

Perhaps this is what I was asking for all those years ago when, as a little girl, I said I wanted to become a nun.

Maybe I didn’t understand then what it meant to dedicate your life to God.

Maybe I was simply responding to a calling I could already feel.

And maybe the path was never supposed to be a straight line.

Maybe it was always supposed to flow through faith, rebellion, healing, art, pain, discovery, loss, love, and finally — back to the heart.

This is how I became a healer.

And this is only the beginning.

Abracadabra.

Amen.

Monday 08.31.26
Posted by Anna Biela
 

Healer

Healing Art and Healing Heart

By Anna Biela, Ph.D.

About how I became a healer of soul and the inspiration behind my art

Coming soon. Stay woke. ✨

Monday 08.31.26
Posted by Anna Biela
 

Instrument

Instrument of Your Divine Love

By Anna Biela, Ph.D

Prayer for the He[Art] Movement

Heavenly Father, I love You.
I am one with You,
and I am an instrument of Your Divine Love.

Breathe Your Holy breath into me, Heavenly Father,
as a musician breathes life into a flute.
Play me as Your instrument
and let Your breath move through me.

May Your Love vibrate through me
and send ripples into the collective,
like wind chimes dancing in the wind—
each vibration carrying Your Light,
each sound awakening Love,
each ripple touching hearts
far beyond what I can see.

Play me, Heavenly Father, as a harp.
Let the strings of my heart
carry the music of Your Spirit.
Let every vibration I create
become an offering of Love,
a sound of peace,
a song of Light.

Let golden threads of consciousness
flow through me and into the world,
gently transforming the fabric
of the energy around me.

May Your Light shine through my body,
through my heart, through my art,
through my words, my hands, and my presence.

Let the He[Art] Movement live through me.
Let my art become a vessel for Your Love.
Let every heart I touch through my creation
remember the Light within itself.

And Heavenly Father,
allow the voice of my soul to speak through me—
now and forever.
Let me hear its truth clearly.
Let me have the courage to express it freely,
through my art, my words, my love, and my life.

I believe in You.
I trust Your Divine wisdom.
I believe that I have a Twin Flame,
and I believe that we love each other.
I believe that our love is mutual
and that whatever is meant for us
will unfold according to Your Divine will.

Protect this love from fear, doubt, and illusion.
Let what is true become clearer.
Let love be freely given and freely received.
And above all, let Your will—not the evil spirit of fear or desire—
guide the path of our lives.

I am Your composition, Heavenly Father—
a symphony of instruments
played by Your Divine hands.
My life is a melody You are composing,
and my heart is the place
where Your music begins.

I am the temple of Your Love.
You live in my heart,
and Your Love lives through me.

Play Your Divine music through me, Heavenly Father.
Breathe Your Spirit into me.
Let my heart become Your instrument.
Let my soul become Your voice.
Let my art become an expression of Your Love.
Let my life become Your song.

I surrender myself to Your Divine Love.
Use me as an instrument of Your Light.
May everything I create, everything I say,
and everything I am
bring Love, Light, and beauty into this world.

He[Art] is alive.
Love flows through me.
My soul speaks through me.
God lives in my heart.

Abrakadabra, Amen. 🤍

Monday 08.31.26
Posted by Anna Biela
 

Divine Love

Prayer for Divine Love and Union

Anna Biela, Ph.D

God,

I pray for Divine Love to enter fully into my life
and for the possibility of a Divine union with my Twin Flame.

I believe that we could be great together.
I believe there is a connection between us that has touched my soul deeply.

I trust that You gave me the eyes to see what I needed to see,
and perhaps that is why my love has not faded,
but evolved.

Through this love, You have taught me something deeper:
how to love beyond the surface,
how to see the energy and humanity behind another person,
and how to open my own heart to receive love in return.

I recognize that my own doubt and fear have sometimes stood between me and the love I desire.
Today, I acknowledge that doubt without giving it power.

I rebuke the doubt that tells me I am unworthy of love.
I rebuke the fear that tells me I must control the outcome.
I rebuke the thoughts that keep me from trusting, receiving, and being present.

God, ground me in truth.

If this connection is meant to become a union,
guide both of us toward it freely, consciously, and lovingly.
Open our hearts—not through force, but through grace.

And if Your plan is different from what I imagine,
give me the wisdom and strength to accept Your will
without losing the love, growth, and beauty this journey has awakened within me.

I believe in myself.
I believe in love.
I trust You.

My heart is open.
My feet are on the ground.
My soul is listening.

Amen.

Sunday 08.30.26
Posted by Anna Biela
 

Bombelek

Synchronicity of Bombelek 🫧💣⚡️

By Anna Biela, Ph.D.

How i became a graffiti writer, started writing ANER, and became known as Bombelek

Even though I write ANER, the Wrocław graffiti writers call me Bombelek.

I entered the graffiti scene of Wrocław as the girlfriend of a graffiti writer, and what it turned out was that my boyfriend was one of the oldest writers in Wrocław and quite a famous one. He has lived all around the world, so you may have even seen his work in London. But I am not allowed to write his name, so we will leave it at that.

He trained me in the art of graffiti. We painted together for three years, from 2013–2016, and I probably did over 30 ANERs all over Wrocław and in some European cities, like Amsterdam and Munich.

My style is wobbly typography based on a font I designed in my first year at OCAD, “Gelust.” I squared out the inside “light” of Futura Medium Condensed, and based on the proportions of this typeface, I write ANER and other words. Like in Palestine, in the West Bank, where I wrote HEART and ISSA. The font works best with lowercase letters, and I write everything in lowercase.

My tag, ANER, is made from one line, and it starts with the “a” with the belly without the back. It looks like a wavy line, but it is not—it says “aner,” and the “r” always flows into a 2 for the year 2026.

I painted my first mural when I was 13 years old. I painted it in my bedroom. I had powder-pink walls and painted black lines resembling Op Art. I did a mural in my screen-printing studio in high school, and then the next mural was at the Municipal Stadium that they built for EURO 2012 in Wrocław. The mural is still there, about 20 meters long and 3 meters high.

It was part of my MADOA project. It was the second edition, a collaboration with the Wrocław soccer team’s marketing department, “Śląsk Wrocław.” They gave me digital LED screens around the stadium, telebeam time, and other advertising surfaces to showcase my art and the art of my collaborators during televised soccer games. They were the number-one team in Poland then, so the stadium would be quite full for their games. It seats 40,000 people.

Part of the project was that I asked if I could paint the stadium walls, and they said yes. So my artist friends and I got to work. We were given artistic freedom and could paint anywhere. There was only one proper graffiti writer, and he suggested we sign with nicknames. That was the first time I signed “Naners,” which eventually evolved into ANER.

This was in 2013, and that was the first time I invited Banksy to come and paint. I wrote him an email when he was still receiving them.

Soon after this project with major media coverage of the games, we also got a lot of press. Every newspaper, radio station, and TV station wrote about the murals on the brand-new stadium.

That same year, a few months later, I was preparing a second mural for a solo exhibition at Gallery 212, which was located inside the shopping gallery at Sky Tower in Wrocław. They allowed me to paint on the surfaces of storefront windows. These were stores that were not yet rented out and were covered with vinyl. I painted my eyes that spanned across 10 meters, looking up at the Sky Tower, a new building and landmark in Wrocław at the time.

I contacted CEKAS, who was one of the artists who painted the stadium, and asked him for advice on what would be best to use on adhesive vinyl. He said that I needed to get some spray paint, and he told me to go to the Conflict Shop.

At the Conflict Shop, I met many of the Wrocław writers, and in the mix was my boyfriend, whose name I am not allowed to write.

He was very stern about this idea: no pictures and no names on social media. Anything that would connect him to me as a writer was not allowed, as he had vandalized the entire city since childhood and wanted not to be connected to me.

It was him who started to call me Bombelek, even though I wrote ANER all over town and beyond.

We painted together for three years, and after New Year’s Eve 2016, we broke up. I said that I wanted something more serious, and he said he did not, and moved out.

I started to do street art on my own after that. As part of the MADOA project, I got murals all over town, and most are still there. I did not limit myself to Wrocław and painted anywhere that felt safe and stress-free.

I have been painting on my own since then. I have never dated another graffiti writer or even another artist since that breakup. I had a few short romances, but they never worked out, as I realized in 2013 that I have a Twin Flame, and he has been on my mind since then. The love I feel for him is so intense that I simply don’t see a point in dating anybody else.

Honestly, I would prefer to be single if I cannot be with him.

We did organize a couple of graffiti jams and had some graffiti writers come from around Europe for my MADOA project. One of the jams was on my parents’ industrial building, where I worked for over a decade.

We had to paint it over when my family and I retired in 2024 from running two car dealerships. My parents rented out the building to other car dealers, and I gained financial freedom.

I was a graffiti writer only long enough to learn how to use the spray can, and then I incorporated it into my art.

I still paint murals and do mainly canvases, and I have not written my name since 2016. That is when we went our separate ways.

I was painting with his crew, whose name I am also not allowed to mention, and they called me Bombelek. I started bombing with them at many graffiti jams and on semi-legal walls all over Wrocław and the surrounding area.

They don’t consider me a graffiti writer, but they were very impressed with my skills, so they let me paint with them.

Once I got very good and things were not so good in the relationship, my boyfriend stopped taking me to graffiti jams—and that is how my graffiti career ended.

We are still friends, and he still calls me Bombelek, so the Wrocław graffiti scene knows me by this name. I still go to the Conflict Shop to get my paint.

The synchronicity that made me think to tell this story is that I compared myself as a half of a celestial bomb in my previous piece—and once activated by my Twin Flame, no Bomb Squad would be able to disassemble it.

There is another synchronicity connected to my Twin Flame and the Bomb Squad that made me have an aha moment to tell the story of how I became a graffiti writer and then a street artist, although I see myself as a painter.

Saturday 08.29.26
Posted by Anna Biela
 

Bombelek 🫧💣

The Wrocław writers call me Bombelek

A little bubble🫧
A little bomb💣
A lot of energy⚡️

Friday 08.28.26
Posted by Anna Biela
 

Celestial Bomb

The Challenges of Twin Flames Before Union

By Anna Biela, Ph.D.

Tips on How to Overcome Fear

One of the main challenges is that the woman often wakes up first, while the man is in disbelief and thinks, “It ain’t gonna be me.”

Thoughts may enter our minds like this.

But remember: not all thoughts are your own.

Many may come from parasitic beings that do not want the Union to take place, because as soon as the Twins come together, they lose their food.

Both Twin Flames are highly energetic beings, and they are like two atomic parts of a celestial bomb.

Once activated, no bomb squad is capable of dismantling the bomb.

And this is where the challenges begin.

The feminine wakes up first. She feels, sees, and recognizes the connection, while the masculine may still be in disbelief, unable to understand what is happening.

She may want to explain it.
She may want him to see it.
She may want him to recognize the connection.

But she cannot force his awakening.

And he has his own challenges: facing the intensity of the connection, overcoming disbelief, opening his heart, and moving beyond fear.

Both are challenged to recognize which thoughts are coming from Love and which thoughts are creating separation.

Because the closer the Twins come to Union, the more the forces of separation may try to interfere.

The challenge is not only to find each other.

The challenge is to overcome fear, doubt, separation, and everything that keeps two highly energetic beings from coming together in Love.

And when the two finally unite—

the energy becomes something much greater than either one alone.

Friday 08.28.26
Posted by Anna Biela
 

Anchor

Where Heaven Meets the Heart

Anna Biela, Ph.D

About Twin Flame Love, Inspired by the Synchronicity of Banksy’s Crucifix Grappling Hook

As I came across the image of Cross and Grappling Hook by Banksy on the Banksy’s Gross Domestic Product IG page, I could not help but reflect on it as a synchronicity — it looks like an anchor. My heart lit up, as on my vacation I have been going to church every day since my arrival.

I immediately saw the Cross of Jesus as an anchor and a grappling instrument.

It made me think about Twin Flames and how we also need to anchor first our love in Christ — in the heart chakra, in the heart centre — in that vibration of “this is heaven.”

Anything above and anything below can throw us off balance. That is why Jesus is the anchor. He is the centre that brings us back when we rise too high, fall too low, lose ourselves, or become disconnected from what is real.

The Cross becomes both the anchor and the grappling instrument — something we can hold onto, something that keeps us connected, something that helps us climb through the walls and barriers that stand between us.

But Twin Flames also anchor in each other.

One anchors the other.

Women fly high. Men fly low. And they have to meet in the heart to make the union work.

This is very hard for men, because many men have been taught to keep their hearts closed — to be strong, to suppress their emotions, to protect themselves, to not show vulnerability.

But I am here, my love, to crack your heart open.

And you are here, my love, to anchor my love, because I have a tendency to fly high.

We balance each other.

You bring me down to earth when I am floating too far above it. I remind you that it is safe to open your heart and allow love to move through you.

I anchor you.
You anchor me.
I help you open.
You help me ground.

We anchor each other in Christ, in our hearts, and we need to keep an equilibrium — a balance between heaven and earth, between rising and grounding, between giving and receiving, between the masculine and feminine.

This does not mean that we will not have highs and lows. Of course we will. We are human. We will rise, we will fall, we will lose our balance and find it again.

But as long as we keep vibing from the heart centre, we can always return to the place where we meet.

And from that place, we are stronger than darkness.

Because Satan — Fear —separates, but God — Love — binds.

Love is the glue that binds us.

Christ is the anchor.

The Cross is the grappling instrument.

The heart is the meeting place.

And perhaps this is what the synchronicity was showing me:

We can fly as high as we are meant to fly, as long as we remain anchored in Love and grounded in the Earth. Help me grow roots, and I will help you spread your wings. Together, we can move mountains.

Thursday 08.27.26
Posted by Anna Biela
 

Eternal

Living Flame

Thank You, God, for teaching me to see
a heart, a soul, a love so free.
To love his passion, his art, his flame,
and know that love transcends a name.

Eternal, burning, wild and true—
I’m forever grateful, God, to You.

Wednesday 08.26.26
Posted by Anna Biela
 
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