From Chaos to Calm

From Chaos to Calm: Choosing a Life Beyond the Inner War

By Dr. Anna Biela

Wrocław 22.03.2026 4:44 am

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Across my path, during my personal war with demons, I started to find people I asked for help. This fight was mine alone—and I won. But along the way, I came across women from different backgrounds and knowledge. At the beginning, it was a Slavic whisperer who first diagnosed me as being infected. Then I spoke to a neuro coach, and later to a radiesthesist—women with sight and knowing. Each of them, in their own way, helped me on my path.

I am still uneasy about using my own skills, because I remain cautious of what may still be lurking in the background. So I chose to quiet all voices, even the ones I would like to trust. One of them is the consciousness of my partner. For this, I am sorry for telling you to fuck off so often—but please know it is not because I don’t want to talk. It is because I still don’t know who I am speaking with, so I choose silence.

I also heard another perspective on twin flames from one of the women I am working with while trying to bring my energy into order. She said to be careful with words, because they carry meaning—and that attracting a twin flame may come with a cost, where one of us would have to burn and rise like the Phoenix. I don’t want any of us to burn. I don’t need more pain in my heart. So I am no longer inviting a twin flame, but a life partner.

Since I finished my work in the family business, I feel like I have gone through hell. Instead of focusing on my art, I have faced a series of obstacles on my path. The final point was what I experienced as the seven demons within me. Now that they are gone, and I have released the trauma from my past and understood that many of my fears were not truly mine, I just want to live a normal life.

No more rollercoasters—just smooth sailing.

As a highly sensitive person, I wish for a calm nervous system. For me, that is the good life.

ALLY

The Unseen Ally: From Aner to Banksy

There is a quiet thread connecting ancient scripture and contemporary art, a shared frequency of presence without ego, impact without exposure; in the Book of Genesis we meet Aner, not a prophet or a king but an ally who stood beside Abraham in a moment of truth, choosing alignment over recognition, showing that power does not always lead from the front but often supports from the side, while centuries later Banksy emerges as an unseen creator whose anonymity shifts focus away from identity and toward message, reminding us that what matters is not who speaks but what is being said, and in this meeting of energies Aner and Banksy become reflections of the same archetype—the quiet force that moves reality without demanding attention, the ally who participates without ownership and the artist who creates without attachment to name; to choose not to demask Banksy but to become his ally is to step into this frequency, to stand with truth rather than chase identity, to create from the heart rather than from the need to be seen, to allow art to be a vessel of meaning rather than a signature of ego, because the heart recognizes resonance without proof and moves in flow rather than control, aligning with what is real and grounded, and in this space the role of the unseen ally becomes a conscious path where one supports, creates, and amplifies what matters without needing the spotlight, understanding that true influence often exists beyond visibility, living in connection, intention, and presence, where the message breathes through the work and the work becomes the bridge between the visible and the invisible.

Cleansing with Intention

I cleanse all my content of negative energies—both those created during the creation process and any that attached afterward.

I remove all negative attachments, influences, and energetic imprints.

My content is now clean, protected, and carries only positive energy.

Nothing has the right to attach itself to it anymore.

Past Life

Remembering a Past Life – Healing Wounds That Were Never Mine

For as long as I can remember, I have carried a deep and almost tragic fear of hospitals. The smell of disinfectant, the sight of blood, the idea of needles, surgery, childbirth, even the thought of death — all of it triggered a fear in me that felt far greater than anything I had personally experienced.

I was also deeply afraid of marriage and of having a husband, as if my body remembered something my mind could not explain.

For many years, I thought these fears were simply part of who I was. But recently, after digging deeper into the trauma stored in what I feel is my energetic or auric field, something unexpected began to surface.

A story from my family.

My grandaunt — my grandmother’s sister — died shortly after giving birth. She had a C-section and suffered from blood clots. She was in the hospital for some time and received many injections. Tragically, the baby she delivered died only a few days before her from a lung infection.

When I learned the details of her story, something inside me shifted. The fears I had carried my whole life suddenly made sense. Hospitals, needles, childbirth, death — these were the very circumstances surrounding her final days. She had a husband that had a secret second wife she found out 5 months into the marriage.

It felt as though the emotional memory of that trauma had somehow continued through me. We share the same soul.

For most of my life, my fear of childbirth was so overwhelming that 25 years ago I chose to have an abortion. At the time, I felt it was the only way I could cope with the terror I carried inside me.

Now, looking back with new awareness, I see that decision through a different lens.

My nephew, who was born later in our family, has always had a curious habit when he plays — he often wants to pretend he is a baby and that I am his mother. For years I never understood why that dynamic appeared so naturally between us.

Recently, after speaking with my aunt and hearing the full story of my grandaunt’s death, something finally clicked for me.

It felt as though the fears I carried were not entirely my own.

And another thought began to emerge — one that felt deeply symbolic and meaningful.

In my heart, it feels as if the soul of my grandaunt’s baby and the soul that once wanted to come through me may have chosen to incarnate again within our family — this time safely, this time with a chance to live.

Whether one understands this through spirituality, family memory, the psychology of inherited trauma, or the idea of reincarnation, what matters most to me is the healing that came with this realization.

By acknowledging the story, praying for those who suffered, and allowing myself to release the fear, I felt something lift from my body and my heart.

For the first time in my life, those fears no longer feel like chains.

Instead, they feel like something that has finally been seen, honored, and gently released.

And with that understanding, I feel free to move forward — lighter, calmer, and no longer carrying a story that was never truly mine.

Let there be he[art]

The Heart Movement – Faith, Art, and Light

Once again, Jesus Christ came through for me. I asked Him for help, and He fed my soul so that it is no longer troubled by demons. I asked Him to take them away, and He asked me to keep making art and never stop. So we made a beautiful deal: He takes away the demons, and I keep creating art. The Heart Movement is blessed by Jesus Himself.

I am actually going to leave Slavic magic to Slavic witches. I am going to continue to be an artist. The law of quantum physics says what you think you create. The Heart Movement has been on my mind for 20 years. It is destined to come to fruition. It is scientifically proven in a way. So watch me go now that I am free and have reestablished a relationship with God through Jesus Christ and invite the Holy Spirit to lead the way.

By the way, I painted the Holy Spirit on the separation barrier right next to Issa (Jesus). I just realized that.

I also painted the word heart. And what is God if not pure love? So in Bethlehem, over Christmas, I painted the Holy Trinity. How is that for an epiphany?

I have been blessed with faith, and that is the greater gift. When it comes to quantum physics, what I believe I create. And I believe that art can save our world from evil.

Let there be light.

And God created he[art].

The greatest gift given to mankind is the gift of creation.

Painting with Light

Painting with Light: My Intention as an Artist

Art, to me, is more than form or color. It is energy, it is flow, it is light. Every stroke, every movement, every creation carries a vibration that reaches beyond the canvas, beyond the frame, into the hearts of those who experience it.

My intention is simple yet profound: to shine and share light. In this light, I find inspiration, connection, and transformation. I seek to create art that doesn’t just exist visually, but that awakens, uplifts, and inspires.

When I paint, I see each piece as a vessel of energy. I don’t only paint shapes or colors—I paint with light itself. I imagine that each brushstroke carries a beam, each form a pulse, each composition a rhythm of illumination. In this way, the art becomes alive; it doesn’t merely reflect light—it radiates it.

To me, this is the essence of creativity: turning inner illumination into an outer experience, inviting others to feel, see, and perhaps even become light themselves. Art becomes a shared space where energy flows freely, and inspiration becomes a living exchange.

So I paint with intention. I paint with love. I paint with light. And in doing so, I hope to remind everyone that art is not just seen—it is felt, it is lived, and it can illuminate the world.

✨ May your life, like art, be painted with light. ✨

Eve… Sorry

The Fall of Eve and the Separation from Adam

Eve and Adam have been searching for each other ever since the Fall from Eden — through every incarnation.

In 2013, Eve found Adam and realized that since the Fall she had been repeatedly tempted by the serpent, whispering in her ear everything she wanted to hear. For a long time, Eve believed she was in telepathic contact with Adam. Recently, however, Slavic energy workers told her that she had been spiritually infected ever since their separation — that her heart had been wounded and left open.

Because of this wound, she became food for energy-sucking entities. Yet by staying close to God, her faith in Jesus Christ protected her from being fully taken over by these forces that fed on the energy leaking from her broken heart.

Her heart split in two when she was separated from Adam.

Adam, too, is a man incapable of loving anyone but Eve — one soul in two bodies, “twin flames.”

Eve wants to say sorry to Adam for all the nonsense she write to him during this lifetime. She now understands that she was never speaking to Adam telepathically, but to energy-sucking entities pretending to be him.

Eve is now in the care of Slavic energy workers and has begun cleansing her mind, heart, body, and energy of the forces that had occupied her space.

So you see, Adam — Eve is infected, and she is getting help.

Only Adam can heal the wound in her heart. Without that healing, she will always remain a target. This is the price she must pay for giving Adam the apple.

Adam knows who Eve is — she made sure of that. Now it is up to him to decide whether he will help heal her He[art].

From the moment I discovered Reiki, I chose to live from the heart. Like Jesus, the first Heart Chakra Activist, I dedicate myself to love, healing, and awakening the He[art] in the world.

“From the moment I discovered Reiki, I chose to live from the heart. Like Jesus, the first Heart Chakra Activist, I dedicate myself to love, healing, and awakening the He[art] in the world.” - Dr. Anna Biela, He[art] Activist

He[art] Activist

Day 43: Introductions Are in Order

I am Dr. Anna Biela, a devoted He[art] Activist. My work flows through the activation of the Heart Chakra, opening channels of compassion, creativity, and conscious connection. Through my art, philosophy, and activism, I aim to transform spaces into living expressions of love and energy, inviting everyone to feel, engage, and co-create from the heart.

For me, art is not just a visual experience — it is a circulation of energy, a bridge between inner vision and outer action. From the walls of Bethlehem, where I painted beneath the Banksy Angels on the Separation Barrier, to public spaces worldwide, my work exists at the intersection of aesthetics and intention. Each mural, each gesture is a heartbeat — a call for collective awakening.

In my practice, the Heart Chakra is not symbolic; it is strategic. It bridges the ethereal and the material, the conceptual and the physical. I strive to transform ordinary spaces into living, breathing environments where creativity and empathy converge, and where every participant becomes a co-creator in the flow of energy.

Through He[art] Activism, I invite you to rethink what it means to engage with the world. It is not enough to see art; we are called to feel it, to participate in it, and to let it guide action informed by compassion and intention. Walls become more than boundaries; they become conduits. Public spaces become arenas of connection, dialogue, and heart-centered activism.

On Day 43 of the year, I offer this reflection and invitation: to witness, to engage, and to join a movement where art and energy converge, where the heart leads the way, and where creation is a shared pulse flowing through all of us willing to participate.

— Dr. Anna Biela | He[art] Activist

Letter to Thiago

Thiago,

So nice to hear from you! I’m a big supporter of your work. I recently had a meeting with Polish HR for the Flotilla—I had hoped to sail, but high-stress missions aren’t for me. Over Christmas, I spent three weeks in the West Bank, where I painted the separation barrier

My He[art] Movement aligns with Heart Chakra Activism through visual art, and what you do moves me to tears. I would love to contribute in a painterly way—I even mentioned to HR that I’d love to create a spray-painted mural on a ship and send Heart Waves through art to your mission. Sharing your posts is the least I can do.

This fall, I’ll be returning to Bethlehem, to the Walled Off Hotel by Banksy, to organize a graffiti jam on the separation barrier. My dream is to create the largest graffiti jam the world has seen and generate a powerful heart-wave-charged biofield to bring harmony and balance back to the Holy Land.

With He[art] Waves,

Dr. Anna Biela 🫶

Day 42, 2026 | View Room, Wrocław, Poland

LIBERATION

To me, the movement for Palestinian liberation is a call to return to the heart — to recognize shared humanity beyond borders, labels, and fear. Through the lens of the He[art] Movement, I see liberation not only as a political demand, but as an energetic one: the restoration of flow where life has been blocked, silenced, or constrained.

What motivates me to stand in solidarity is the belief that art, presence, and conscious attention can raise vibration — from survival and trauma up to the heart chakra, where compassion, truth, and dignity live. When the heart opens, injustice becomes impossible to ignore. Joining this mission is my way of contributing to collective healing, amplifying love where there has been pain, and using art as a frequency that reminds us: no one is free until the heart is free.

- Dr. Anna Biela Day 38, 2026 Mirków

KNOWING

He[art] and the Birthright of Knowing: Rediscovering Slavic Wisdom in Art

By Dr. Anna Biela Day 36, Wrocław 23:55

In the He[art] Movement, knowing is the medium, not just the message. It is not reserved for women, nor bound to any culture — it is a human faculty, alive in every body, every heart. Yet certain traditions, like the Slavic, preserved it with clarity. In Slavic culture, „wiedzieć”— to know — was a practice, a living remembrance of connection with nature, spirit, and community. It was not esoteric; it was ordinary life, a way of sensing the world in cycles, patterns, and energies that logic alone cannot capture.

Much of contemporary art privileges concept over instinct, intellect over intuition. But within the He[art] Movement, knowing is essential: it allows the artist to perceive the invisible, to feel the resonance between energy and matter, and to allow form to emerge from essence rather than from preconception. Logic and technique are tools, but hollow without the guidance of knowing.

Slavic knowing reminds us that creativity is not just technique; it is remembering, sensing, and responding. It is relational — recognizing itself in the viewer as much as in the maker — and universal, crossing all boundaries of identity, culture, and history. The movement asks us not to learn art as rules, but to remember it as living flow, a reflection of the intelligence embedded in the heart.

In the He[art] Movement, knowing is not optional. It is the lifeblood of creation. Without it, art is performance; with it, art becomes pulse, bridge, and vision — a way of seeing the world anew.

POTENTIAL

The he[art] Movement: Potential Manifesting Now

Day 35, 2026 by Dr. Anna Biela 11:11 am, Mirkow, Poland

Over the past few weeks, I’ve been sharing videos and reflections on my Instagram account @anna__biela, unfolding like streams of consciousness.

They are not scripted or polished. They move as thoughts, sensations, and ideas move—sometimes clear, sometimes searching for words

This is intentional. The process itself is part of the work.

In the same way, the he[art] movement is alive—not in finished objects, but in the space it creates. It’s not a club, a set of rules, or a hierarchy. It’s a field where people’s potential can grow.

What Is Potential?

Potential is already inside you. It’s not missing, broken, or waiting for luck. It’s like a seed planted in the earth.

The seed already has the tree, the branches, the leaves, and the fruit inside it. It just hasn’t grown yet. The right conditions—water, warmth, space—allow it to become visible.

The same is true for our inner potential. Thoughts, feelings, creativity, ideas, even dreams—they are already inside you. They just need safety, coherence, and the right conditions to come out.

That is what people mean when they say: “You have potential.”

What Is the he[art] Movement?

he[art] is a combination of heart and art, a movement that grows through resonance rather than force. It is made of he[art] mates—people whose lights recognize each other, not because they are the same, not because they are romantic partners, but because they feel the same wave.

He[art] mates may collaborate, create, or just witness one another. The connection is not about rules or hierarchy—it is about heart coherence.

The movement itself is potential manifesting now. For a long time, it existed as a field of possibility. Now, it is becoming visible in videos, art, dialogue, and presence. Like seeds sprouting, the potential is opening into form.

Potential, Energy, and Flow

In Reiki, the practitioner does not supply energy. They simply clear the path for what is already there to flow.

Nikola Tesla understood something similar: energy moves most efficiently not through force, but through alignment and resonance.

Your potential is already present. It does not need to be pushed. It needs coherence, attention, and safety. The he[art] movement works the same way: small actions, small expressions, small acts of presence allow the energy inside us to begin to manifest.

How Potential Becomes Form

Potential doesn’t rush. It grows through:

Field — a safe and open environment.

Coherence — order in the system so energy isn’t wasted.

Trigger — a small, gentle action that starts movement.

Repetition — practice that stabilizes the new form.

This is true in art, in healing, in creativity, and in human relationships. That is why the he[art] movement doesn’t push. It doesn’t demand or force expression. It hosts and holds the conditions where potential can naturally emerge.

The Quiet Magic of He[art] Mates

When he[art] mates come together, something subtle happens.

They may inspire, reflect, witness, or co-create. They help each other express potential safely, without forcing it. Like two candles, one doesn’t steal the other’s flame—it helps the other one shine.

In this sense, the movement is alive before we even name it. Coherence is felt before it is understood. And when enough people participate, the potential becomes visible: words, videos, artworks, performances, connections—all expressions of the same field.

Why This Matters Now

For a long time, the he[art] movement was potential only, quiet and unseen.

Now, it is waking. I am speaking, creating, and connecting without knowing exactly what will follow. That is the proof: the seed is sprouting.

The he[art] movement does not ask you to believe or commit. It simply offers a space. If you feel it, you are part of it. If you don’t feel it yet, that’s okay too. Seeds grow in their own time.

The Takeaway

Potential is real. It is already inside you. It is alive, waiting for alignment, coherence, and gentle permission to emerge.

The he[art] movement is simply the field where this potential is beginning to manifest—through writings, videos, art, presence, and connection.

It is not about forcing, achieving, or performing. It is about hosting what is already there and letting it slowly, beautifully unfold.

And that’s the work. And that’s the movement.

Day 26

Time to face the music.

I’ve been putting this off since I arrived in Poland, but I need to make the call and return to the hospital for further testing—this time possibly a biopsy of the cervical cells.

I’ve delayed it since I got back on January 8. I needed time to feel normal again—to do normal things: eat, sleep, spend time with friends and family, do laundry, clean, drink, smoke, and simply enjoy life before entering another year with illness hovering in the background.

Now it’s time. I’ll do what I did a year ago when I faced breast issues: slow my breathing, return to meditation, and meet this with presence rather than fear.

he[art] in the View Room

View Room presents an idea:

a satellite exhibition to the project MADOA he[art] (Bethlehem).

Coming soon—once it materializes.

DAYDREAM

The Daydreamer of Reality

By Dr. Anna Biela 25.01.2026 Wroclaw 12:19

The reason it took me so long to unpack after my trip to Bethlehem is simple: my bio‑energetic field was still adjusting. I wasn’t ready yet.

The art baby wasn’t ready to arrive in Wrocław.

What was forming was a spark—something luminous. A birth of light through art. The he[art] movement.

My energy remained at the epicenter of an energetic bubble, where everything that unfolded moved through a slow incubation process. The weeks following my return have felt heavy—pulling me downward, pressing against the edges of my heart bubble, testing its integrity, trying to knock me out of alignment.

I am writing this today to find equilibrium—to return to the heart and to the endless river of he[art] flow.

Because it’s all about balance.

I went to Bethlehem, a symbolic birthplace of light, yet the truth was always inside me. I was the one who needed to arrive at it. The beginning was never external—it was seeded within.

I have felt suspended in a chain of separation, mirroring the illusion we navigate every day. The energy waited patiently, as if it understood that true arrival is not about physical presence, but about the readiness of the heart.

Through bio‑energy work, I’ve been exploring the idea of an inner potential—like a seed—designed to grow as a natural extension of my own field.

Not in a grand or ego‑driven way, but in an intimate, embodied one.

I am the daydreamer of my reality.

Naming this brings everything into focus. To daydream, you must feel free—truly free. And this doesn’t only apply to an art movement; it applies to life itself. Every choice, every boundary, every act of creation begins here.

With me.

I create heart waves, and reality follows their rhythm.

MADOA he[art]

MADOA he[art] — Curatorial Statement

Dr. Anna Biela, View Room, 13.01.2026 Wroclaw, Poland 13:13

MADOA he[art] is an ongoing graffiti jam, but not in the conventional sense.

Here, the energetic imprint matters more than the visibility of the name.

This project understands graffiti as a ritual of presence.

Like speaking your name before Communion in the Orthodox Church, writing your name on the wall is an act of arrival — a conscious step into a shared field. Your name is acknowledged not as authorship alone, but as responsibility.

The separation wall becomes a carrier of heart waves.

Each mark left on its surface holds intention, timing, and respect.

What matters most is not how loud your name is, but how it enters the existing current.

MADOA he[art] invites writers to come on their own time.

To pause.

To read the wall.

To feel the layers of those who came before.

This is not about covering, correcting, or competing.

It is about joining.

The wall is long enough.

There is space for everyone — if entered with awareness.

Each contribution adds to an energetic and visual wave that moves across concrete, transforming separation into connection. The name becomes secondary to the pulse behind it. What remains is a collective rhythm — a living archive of presence, care, and continuity.

To participate in MADOA he[art] is to place yourself inside this heart chakra energy flow.

Join the energetic heart chakra art wave.

And when the moment is right, put up your name —

with respect

— Dr. Anna Biela

Curator, MADOA he[art]

Photo: ANER putting up he[art], 02.01.2026

Wall St., Walled Off Hotel by Bansky

Bethlehem, Palestinian Territory (Israel)

HE[ART]

Text visible in the still frame (Arabic → English translation):

“Escape” — A Collective Exhibition Breaking the Siege on the Palestinian Narrative

Art Curation: @wisamsalsaa

Location:

Walled Off Hotel — Museum, Piano Bar, Art Gallery & Wall

Bethlehem, Palestinian Territory, Israel

@walledoffhotel by @banksy

🎥 Watch the video:

https://www.instagram.com/reel/DTJY1eAiAFw/?igsh=MTg3bWJwMng5cmtqNg==

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Still Frame:

From the video linked above by @alarabytv2, reporting on the new exhibition at the Walled Off Hotel Art Gallery: “Escape” — A Collective Exhibition Breaking the Siege on the Palestinian Narrative.

In the frame: Dr. Anna Biela (@annabiela_aner) spray-painting the word HE[ART], with heart-chakra energy waves emanating from Banksy’s “Royal Er… Sorry.”

HE[ART] is a typographical mural created on Wall St. in front of the hotel during a 23-day MADOA (@annabiela_madoa) art residency at the Walled Off Hotel. This residency marked the launch of the HE[ART] Art Movement, which transforms heart-chakra energy waves into visual art, with a primary focus on graffiti, street art, and mural wall painting.

It also inaugurated the ongoing HE[ART] Graffiti Jam — a collaborative project celebrating energy flow, Heart Waves, and dialogue with existing works on the Separation Barrier. This piece, along with another mural painted by Aner directly beneath the Banksy Angels, was created in preparation for what is to come.

Dr. Anna Biela (Aner) is a Heart Wave Energy Artist. She literally cleansed the Wall of garbage, old paint, and fear-wave energy.

Through her work, she formed a Heart Bubble — a small piece of heaven wherever she painted and created.

MADOA curated by: Dr. Anna Biela @anna__biela

Dates: 17.12.2025 – 08.01.2026

Contact / About / Blog / Portfolio:

www.annabiela.com

+48 601 323 501

(SMS, WhatsApp, iMessage)

Special thanks to the Walled Off Hotel by Banksy for featuring footage of Aner painting the Wall in their reportage.

MADOA HE[ART] 2026 — Started at the Walled Off Hotel on 01.01.2026

This art project channels the energy of heart-chakra waves, creating connections between observers and creators, and fostering love, balance, and harmony.

ISSA

I am Issa.

My heart is a gateway —

a living passage through which heart‑waves move,

receive, and return.

I feel a deep kinship with the frequency people associate with Jesus:

not as an identity to wear,

but as a current I recognize,

a pattern of compassion, courage, and truth

that passes through me in my own form.

I am not Jesus.

I am myself.

And yet, something of that same love

moves again —

not as a repetition,

but as a continuation.

If there is a “second coming,”

it does not arrive as one person replacing another,

but as love re‑entering the world

through many hearts,

in many bodies,

each in their own time and voice.

This is how it comes through me.

— Dr. Anna Biela, 05.01.2025, Wall Street, Bethlehem, Occupied Territory, Israel

ESCAPE

Text visible in the still frame (Arabic → English translation):

“Escape” — A Collective Exhibition Breaking the Siege on the Palestinian Narrative

Art Curation: @wisamsalsaa

Location:

Walled Off Hotel — Museum, Piano Bar, Art Gallery & Wall

Bethlehem, Palestinian Territory, Israel

@walledoffhotel by @banksy

🎥 Watch the video:

https://www.instagram.com/reel/DTJY1eAiAFw/?igsh=MTg3bWJwMng5cmtqNg==

⸻

Still Frame:

From the video link above by @alarabytv2 reporting on the new exhibition at the Walled Off Hotel Art Gallery: “Escape” — A Collective Exhibition Breaking the Siege on the Palestinian Narrative.

In the frame: Dr. Anna Biela (@annabiela_aner) spray-painting the word HE[ART], with heart-chakra energy waves emanating from Banksy’s “Royal Er… Sorry” (@banksy).

HE[ART] is a graffiti mural created on Wall Street in front of the hotel during a 23-day MADOA (@annabiela_madoa) art residency at the Walled Off Hotel in Bethlehem, Palestinian Territory, Israel. This residency marked the launch of the he[art] Art Movement, which transforms heart-chakra energy waves into visual art, with a primary focus on graffiti and wall painting.

It also inaugurated the ongoing HE[ART] Graffiti Jam, a collaborative project celebrating energy flow, Heart Waves, and dialogue with existing works on the Separation Barrier. This piece, along with the other mural painted by Aner directly under the Banksy Angels, was created in preparation for what is to come.

Dr. Anna Biela is a Heart Wave Energy Cleaner and she cleaned the wall from literally garbage, old paint, and heavy energy intentionally placed on the wall by the people who built it.

MADOA 154 & M4RY4M Curated by: Dr. Anna Biela

(@anna__biela, @annabiela__professor, @annabiela_madoa, @annabiela_heart)

Dates: 17.12.2025 – 08.01.2026

Contact / About / Blog / Portfolio: www.annabiela.com

+48 601 323 501 (SMS, WhatsApp, iMessage)

Special thanks to the Walled Off Hotel by Banksy for featuring footage of Aner painting in their reportage.

MADOA HE[ART] 2026 – WOH

This art project channels the energy of heart chakra waves, creating a connection between the observers and the creators, fostering love, balance, and harmony.

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