The work began with Banksy’s Angels as my initial inspiration. I had no plan to paint the wall at all, yet once the pieces fell into place, the process unfolded effortlessly. My colors and materials arrived through synchronicity, as if guided by the energy of the space itself. The mural emerged intuitively, a dialogue between intention, chance, and resonance.
The first form to appear was the vortex, imagined initially as an energy ball—compressed, charged, and seeking release. It represents swirling, transformative energy—the stirring of what has been stagnant or blocked. This stage marks the activation of the system, a gathering of energy preparing for movement. It is chaos with direction, a necessary precursor to creation and realignment.
From the vortex, the whale’s tail emerged. Only the tail was visible, suggesting that most of the force remained beneath the surface. The whale symbolizes deep unconscious power, vast and rhythmic, ready to propel transformation. The tail indicates motion, momentum, and grounded strength—the first visible sign that deep energy is translating into force that can influence the external world.
Within the whale’s tail, I then noticed the white dove, a synchronicity echoing the Banksy dove mural I had previously seen in Bethlehem. The dove represents integration, peace, and clarity. It signals that energy has transformed from raw, hidden potential into heart-aligned flow, manifesting as gentle yet expressive movement.
The journey from Angels → Vortex → Whale’s Tail → Dove illustrates a full bio‑energetic transformation. Energy is first stirred and activated, then rises from the unconscious, gaining form, direction, and grounded momentum, before finally manifesting as clarity, peace, and heart-centered flow. This mural became a space where synchronicity, intuition, and energy converged. What began as inspiration from Banksy’s Angels evolved into a dialogue with the wall itself—a movement from activation through power into gentle, expressive presence: from the Angels to the Dove.
