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ANNA BIELA

heART flow

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    • Flow 27.09-11.11 2024
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Etiquette

Unwritten Rules of Creation: Street Art Etiquette for Energy and Conscious Expression

By Anna Biela

Proper creating etiquette is something I understand in a very similar way to street art—there are no official rulebooks pinned on a wall, but there are unwritten codes that everyone in the space recognizes and respects. In street art, you don’t go over someone’s work without understanding the culture. You don’t disrespect another artist’s space. You don’t turn expression into harm or domination. There is freedom, but there is also awareness, timing, and respect. Energy works in exactly the same way.

In my understanding of conscious creation, there are clear but unwritten principles that guide how we create in life and in energy. The first and most important is that you cannot bend anyone’s free will. Just like you don’t override another artist’s wall in a disrespectful way, you don’t override another person’s life path, choices, or sovereignty. Creation is not control—it is expression. Alongside that, there is a second rule that sits just as strongly: you cannot harm anybody through what you create. Whether it is thought, intention, art, or action, if it carries harm, it is out of alignment with the etiquette of creation.

At the same time, I also see creation as something that becomes powerful when it is directed toward the greater good. In street art, the most impactful pieces are often the ones that shift something in the collective space—they speak to people, awaken something, or change perception. In the same way, creation that is aligned with the greater good is not limited to the individual; it naturally extends into something that can be good for all. But that only works when the intention is clean and not ego-driven.

This is where my own work comes in, especially the Heart Art Movement. For me, it is not about personal recognition or ownership. It is about using art as a language for consciousness—raising awareness, elevating emotional frequency, and contributing something that touches people beyond words. It is a creative expression that is meant to move through the collective rather than stay attached to the individual. In that sense, it follows the same street etiquette: you don’t create just for yourself in a shared space—you create with awareness of how it lives in the environment around you.

Because of this, I see that the artist has to become a conscious creator. Just like a street artist learns respect for walls, layers, timing, and space, a conscious creator learns to be aware of their inner state, their intention, and the energetic impact of what they put into the world. What is created externally always reflects what is happening internally.

So proper creating etiquette, for me, is simple but precise: respect free will, do no harm, be mindful of influence, and align creation with the greater good. Like street art, it is not about rigid rules—it is about awareness, respect, and responsibility in a shared energetic space where everything we create becomes part of the environment we all live in.

Monday 07.06.26
Posted by Anna Biela
 

Create

Creation Is an Act of Faith

By Anna Biela

To create in the realm of energy, you must become what people once called a witch or a wizard. Throughout history, these words have often been associated with fear, superstition, or darkness. Yet if we strip away the myths and labels, they can simply represent someone who has learned to consciously direct thought, intention, and energy.

From my perspective, magic is not about casting spells or breaking the laws of nature. It is the art of focused awareness. It is the ability to concentrate your thoughts so clearly that your energy begins to flow in one direction instead of scattering in many. Where attention goes, energy follows. When thoughts become aligned with intention, and intention is supported by action, something begins to change—not only within us, but also in the way we experience the world around us.

This is why faith is so important.

Whether we call it faith, belief, trust, or conviction, every great act of creation begins with the willingness to believe in something that does not yet exist. Before an artist paints a masterpiece, they first see it in their imagination. Before an inventor creates a new technology, they believe it is possible. Before a seed becomes a tree, its potential already exists within it.

Religion has taught this principle for thousands of years in different ways. Faith is often described as believing before seeing. In my understanding, faith is the energetic bridge between imagination and manifestation. Fear contracts that bridge. Faith expands it.

Fear is one of the greatest distractions from creation. The moment fear enters our mind, our attention shifts from what we want to create to what we want to avoid. Our thoughts become divided. Instead of directing energy toward possibility, we feed uncertainty, doubt, and limitation.

This does not mean we should ignore reality or pretend fear does not exist. Fear is a natural human emotion. The practice is not to eliminate fear but to choose faith anyway. Every creator, every visionary, every innovator has had moments of uncertainty. What separates them is not the absence of fear but the decision not to let fear become the author of their story.

The ancient image of the wizard or the witch can therefore be understood symbolically. It is someone who has learned to master their inner world before attempting to influence the outer one. They understand that their greatest tool is consciousness itself. Their thoughts become intentional. Their words become deliberate. Their actions become aligned with their vision.

Creation begins long before something becomes visible. It starts with an idea. It grows through belief. It gains momentum through focused intention. Finally, it takes form through consistent action.

The next time you want to create something—a new piece of art, a business, a relationship, a new version of yourself—and fear begins to whisper that it cannot be done, remember this: fear does not have to be your guide.

Choose faith instead.

Believe that your thoughts matter. Believe that your intentions shape the direction of your life. Believe that your actions give life to your vision.

You are not merely reacting to the world around you. You are participating in its creation through every decision you make.

In that sense, you are the ultimate content creator of your own life. Every thought is a brushstroke. Every choice is a line in the story. Every act of courage adds another chapter to the reality you are creating.

Create consciously. Create with intention. And above all, create with faith.

Monday 07.06.26
Posted by Anna Biela
 

Parasitic Energies

Parasitic Energies and the Process of Release

By Anna Biela

Over the past few months, I went through a very intense inner process where I was diagnosed with parasitic energetic attachments, according to the vocabulary of Dolores Cannon, but in Christianity they are called demonic entities that feed on human energy. They were not the worst types, but I had 5 minor and 2 medium-strength entities attached to me. For the past 4 months, I was trying to understand why me, while living in fear that more would come if I slipped up again. I now live in abstinence from substances that alter the human mind and perception.

The other day I came across Dolores Cannon, and I really resonate with her perspective on reality. Also, in regard to my personal experience, I find her perspective aligns with what Slavic witches have told me. There is something about her eyes that makes me feel I can believe her.

From the perspective of Dolores Cannon, what I am experiencing would be described as parasitic attachments. In her explanation, these are non-physical influences that are drawn to what she calls low-vibration states, such as trauma, addiction, fear, and despair. In her view, people in these states can become more susceptible to energetic interference, and these influences are connected to emotional and energetic imbalance rather than being purely external evil forces in a religious sense.

I am also in contact with a circle of Slavic women with sight and tools to remove these influences through herbs and intention. Simple, everyday herbs that grow wild are believed to have the ability to detach entities. I am living proof of that. I am working on my mindset now, as it turns out I have been “food” for entities for nearly three decades.

Over the past 4 months, I kept asking myself why me, and in Dolores Cannon’s explanation it makes sense because it relates to low-vibration states, which are connected to trauma, addiction, and despair. For me, it was a mix of trauma, addiction, and emotional suffering. I have been a cannabis user since grade 9, and I was 13 when I first started to smoke weed. It was a normal thing in high school, and all the “cool kids” were doing it, so it felt like part of everyday life.

On top of this, I also felt a strong sense of potential and mission—that I am here to help people and contribute to humanity as a whole in raising vibration so that we can all cross over to what Dolores describes as the “New Earth.” In this understanding, the present Earth would remain as a place for those stuck in fear, hatred, jealousy, and anxiety, and what I understand as lower-vibration states, rather than specific acts of sin.

At the same time, a lot of my despair comes from the fact that I placed my hope in one man whom I have no real idea who he is or how to get his attention. I have been trying, and I realized today that I had expectations and emotional attachment placed there. I also felt that there was an energetic contract between us, made between our souls, but I tore it up today, as I had done my best to get him to hear me out. Now it feels like it is time to move forward and figure out another way to create a wave of art that will raise the consciousness of humanity so no one is left behind.

Friday 07.03.26
Posted by Anna Biela
 

Pharmakeia

Pharmakeia, Pharmacy, Witchcraft and Conscious Awareness

By Anna Biela

Today I randomly opened the Bible and read a passage that made me stop and think about what “witchcraft” actually means in the context of sin. So I started to dig, as for me it is nothing but conscious thinking opposed to mind chatter all the time — the ability to focus your mind on what you want to think about and what you want to attract into your life. That is how this reflection began.

In the passage from Galatians (book of the Bible), the word translated as “witchcraft” comes from the Greek word pharmakeia. What struck me most is that this word is also the root of the modern word pharmacy. This immediately created a bridge in my mind between ancient language and modern systems, because both seem to point toward substances that interact directly with the human body, mind, and perception.

The original meaning of pharmakeia referred to substances, potions, and mixtures used to alter consciousness, perception, or physical state. It carried associations with herbal preparations, mind or body-altering substances, and practices involving influence through chemistry or mixtures. Over time, this linguistic root evolved into the modern concept of pharmacy — the structured medical system that uses chemical substances to treat and influence the human body and mind. So what was once a term connected to ancient preparations and altered states of awareness has become the foundation of modern pharmaceutical language.

When I reflect on this, I also think about how, in ancient and pre-modern times, many women who worked with healing were labeled as witches. In reality, many of them were herbalists, midwives, and healers working with plants, roots, natural remedies, and intention. Their medicine was based on observation, experience, and a deep relationship with nature rather than synthetic chemistry. Over time, as systems of authority and knowledge changed, this type of healing was often misunderstood, feared, or redefined, and the word “witch” became associated with danger rather than care or healing.

In contrast, modern pharmacy is based on synthesized chemical compounds, controlled dosages, and structured systems of medical treatment. It can be life-saving and deeply important, but it also represents a shift from natural, plant-based understanding toward highly engineered chemical intervention in the body and brain. In that sense, both ancient pharmakeia and modern pharmacy share a core idea: the use of substances to influence human biology and consciousness, even though the methods and frameworks are very different.

For me, the deeper reflection still comes back to consciousness itself. Conscious thinking feels like the ability to direct awareness intentionally, to observe thoughts, and to choose focus. Mind chatter, on the other hand, feels like fragmentation — constant noise, reaction, and automatic thinking. The ability to focus your mind on what you want to think about and what you want to attract into your life feels like alignment, not control over reality, but control over attention, because attention shapes experience.

In Galatians (book of the Bible), Paul writes about the “works of the flesh,” listing behaviors such as adultery, fornication, uncleanness, idolatry, witchcraft, hatred, jealousy, anger, and excess. Within this list, “witchcraft” is translated from pharmakeia, which connects back to substances, perception, and influence. What stands out is that this is not only a moral list, but also a description of states of consciousness — states of separation, fragmentation, and lack of inner clarity.

What I see through all of this is not just religion or morality, but a deeper map of awareness. Pharmakeia becomes more than an ancient word; it becomes a reflection on how substances and systems influence perception. When I connect ancient herbal medicine women, often labeled as witches, with modern pharmacy and the evolution of medicine, I see a continuous thread of humanity trying to understand and influence the body and mind through nature and chemistry. These women worked with herbs, plants, and intention, while modern systems often work with synthesized compounds and clinical frameworks. Both are part of the same human search for healing, balance, and influence over suffering and consciousness.

But beyond all systems and interpretations, the central question remains personal: what is influencing my awareness right now? Because whether through herbs, chemistry, or thought itself, consciousness is always being shaped. And the real practice becomes learning how to stay present enough to observe it clearly, without losing awareness in the noise.

Wednesday 07.01.26
Posted by Anna Biela
 

Strawberry Moon

Strawberry Moon in Capricorn Intention

Under the light of the Strawberry Full Moon in Capricorn, I set this intention.

This Moon carries the energy of grounding dreams into reality. Capricorn speaks of devotion, discipline, responsibility, and building something lasting in the world. It reminds us that what is aligned in spirit must also take form through steady action.

In this energy, I call in the release of every block surrounding the visibility and sale of my artwork. May my creations reach the people they are meant to touch, be seen, valued, and received in full alignment with their true worth. May abundance flow into my life so I can continue creating freely and without limitation.

May God guide my path and use me as an instrument of love, truth, beauty, and the Holy Spirit. May my art become a bridge—awakening hearts and reminding people of their connection to life, spirit, and one another.

I pray for a world where goodness overcomes fear, where war dissolves into peace, and where humanity returns to compassion, kindness, and unity.

May we also return to deep respect for nature, recognizing the Earth not as something separate from us, but as our living home. May ancient wisdom be remembered, including the Slavic roots of living in harmony with the seasons, energy, and soul—not as religion, but as a way of life in balance with nature.

May I walk in discipline, clarity, and purpose. May my work become structured, visible, and supported in the material world, fully aligned with my spiritual calling.

And may everything unfold according to divine will and for the highest good of all beings.

Amen.

Monday 06.29.26
Posted by Anna Biela
 

As-salamu alaykum

Peace as a Measure of Truth: What I Learned About Inner Calm

By Anna Biela

I went through a period in my life that deeply affected my inner stability. For about three months, I was carrying a heavy sense of fear and uncertainty after hearing interpretations about myself that made me question my wellbeing. It made me very cautious in how I lived, almost like I was “walking on eggshells,” constantly monitoring myself and my energy.

During that time, I also had experiences in Slavic spiritual circles, including during Kupala Night, where I was told again that there might be “something attached” to me. In the moment, I took it seriously, but something inside me didn’t fully resonate with it.

Because of the emotional weight it created, I eventually decided to seek a second, third and fourth opinion outside of those interpretations. What I found brought me relief: there was nothing objectively wrong with me.

That moment changed something important. I realized how powerful suggestion and interpretation can be, especially when it touches fear. It can shape your entire state of being if you let it.

Instead of continuing to live in fear or caution, I made a conscious choice to return to myself. To stop walking on eggshells. To stop giving authority to fear-based narratives. And to begin trusting inner clarity and peace again.

In this process, I also spoke with a Catholic priest an exorcist about my experience. What stayed with me from those conversations was a very simple but profound idea: the human mind can be deeply affected by words, and not everything that is said needs to become part of your inner truth.

I learned to recognize a simple internal compass:

When something brings peace, it brings clarity.
When something creates fear and anxiety, it is a signal to pause and not let it take over my inner world.

No matter what life brings — and everyone goes through challenges — the most important thing is to protect inner peace. Anxiety and fear can distort perception and weaken a person from within. Peace, on the other hand, restores balance.

In the Christian tradition, Jesus says:

“Peace be with you.” (John 20:19)

This idea is also reflected in the Islamic greeting:

As-salamu alaykum — “Peace be upon you.”

Different languages, different traditions, but the same core principle: peace as a foundation of human experience.

What I take from all of this is simple. I choose peace over fear. I choose clarity over suggestion. And I choose to live my life without constantly questioning whether something is “wrong” with me when there is no evidence of it.

Peace is the measure I trust now.

Peace be upon you.

Wa alaykum as-salam

Sunday 06.28.26
Posted by Anna Biela
 

Kupala

Night of Kupala, Sowilo, and the Courage to Carry the Light

By Anna Biela

This weekend, I spent time in a circle of women who gathered to honor the Night of Kupala.

We came together around the fire, sharing stories, wisdom, laughter, and presence. There was something ancient in the experience—something that reminded me that long before modern life became so loud, human beings gathered in circles to remember who they were.

During one of the ceremonies, I asked a simple question:

What is my potential?

The answer came in the form of the rune Sowilo (Sigel)—the rune of the Sun, illumination, truth, and victory through light.

At first, I simply appreciated the beauty of the symbol.

But the more I sat with it, the more I realized that its message was much deeper than I initially understood.

Sowilo is light.

Not merely physical sunlight, but the light that reveals.

The light that illuminates what was hidden.

The light that allows us to see clearly.

And suddenly I saw how beautifully this symbolism connects two worlds that many people consider separate: Slavic spirituality and Christianity.

Both speak the language of light.

In Slavic tradition, fire is sacred. It purifies, transforms, and illuminates.

In Christianity, God is often described through the language of light. Jesus is called the Light of the World. The Holy Spirit is described as a living presence that guides, inspires, and brings life.

At their deepest level, both traditions point toward the same mystery.

What is God if not Truth?

What is God if not Goodness?

What is God if not Love?

And what better symbol exists for truth, goodness, and love than light itself?

Light reveals.

Light guides.

Light makes visible what was hidden.

The more I reflected on Sowilo, the more I understood that the rune was not showing me power.

It was showing me purpose.

And then another message arrived.

One simple word:

Courage.

Not power.

Not certainty.

Not control.

Courage.

Because courage is required when we begin speaking about experiences that many people dismiss or ridicule.

For much of my life, I questioned my own experiences.

I wondered whether what I sensed was real.

Whether spiritual realities were merely stories, myths, or religious dogma.

Whether I was imagining things that others could not see.

But after nearly three decades of searching, questioning, and experiencing, I can no longer deny what I have encountered.

I understand that many people will interpret these experiences differently.

Some will see them psychologically.

Some symbolically.

Some scientifically.

And that is their right.

But my own experience has taught me that reality is far more mysterious and multidimensional than we often assume.

I believe there are forces moving through creation that are not limited to the physical world.

I believe there are energies and intelligences that influence human life.

And I believe that the spiritual dimension is just as real as the material one, even if it is less obvious to our physical senses.

Most of us have been trained to trust only what we can measure.

Yet human beings have always sensed that there is more.

A subtle layer of existence.

A spiritual current moving beneath the surface of ordinary life.

Some call it spirit.

Some call it consciousness.

Some call it energy.

Some call it God.

The names matter less than the experience itself.

Because whether we acknowledge it or not, we all encounter darkness.

We encounter it through fear.

Through suffering.

Through illness.

Through grief.

Through hatred.

Through violence.

Through war.

Through everything that destroys life and separates us from love.

Darkness is not merely an abstract concept.

It is something every human being experiences.

And yet the lesson of light is not fear.

The lesson of light is courage.

Light does not need to become darkness in order to fight darkness.

It simply shines.

And when light shines, what was hidden becomes visible.

What was confused becomes clear.

What was distorted can be seen for what it truly is.

This is what I believe Sowilo was showing me.

Not a path of domination.

Not a path of power.

But a path of illumination.

A path of truth.

A path of becoming transparent to the light itself.

Perhaps this is why courage was the second message.

Because carrying light requires courage.

Speaking truth requires courage.

Choosing love in a world that often chooses fear requires courage.

Remaining open-hearted after pain requires courage.

Trusting what your soul knows, even when others do not understand, requires courage.

As I sat by the fire during the Night of Kupala, surrounded by women sharing their wisdom, strength, and stories, I realized that the greatest gift of the weekend was not the rune itself.

It was the reminder that light is not something we seek outside ourselves.

It is something we are called to embody.

And perhaps that is the true meaning of Sowilo.

To become a bearer of light.

To reveal truth.

To choose love over fear.

To illuminate rather than condemn.

And to have the courage to let that light shine, even when the path ahead is not yet fully visible.

Because sometimes the smallest flame is enough to guide the way.

Monday 06.22.26
Posted by Anna Biela
 

Kupala Night Prayer

June 21, 2026

On this sacred night, I release all thoughts, fears, and beliefs that separate me from God.

I let go of everything that blocks the expression of my true self and my highest potential. I open my heart to divine guidance, wisdom, and love. I am ready to receive the gifts of the Holy Spirit and allow them to flow freely through my life, my work, my creativity, and my relationships.

May the light within me grow stronger than any doubt.
May my spirit be guided by faith rather than fear.
May I walk in alignment with God’s purpose for my life and share His love with the world.

Tonight, I surrender what no longer serves me and welcome the blessings, grace, and abundance that are meant for me,

Amen.

Sunday 06.21.26
Posted by Anna Biela
 

New Moon, New Love

As I prepare and clear the energy for painting with the new moon, I set the intention to release my full potential—the soul that came to this Earth with many talents and gifts from the Holy Spirit.

I feel that I am now learning to maintain a state of freedom from negative influences, learning to keep my boundaries strong and my fortress on lockdown at all times. It has even been a good week when it comes to sleep, as you may have noticed—no bags under my eyes.

I have spent the past couple of weeks, after the outpouring, doing a deep clean at the View Room. As you may have noticed, I did not make it to Tihany.

I was stopped by my angels.

When they give signs, I listen.

There are too many details to go into, but I experienced a series of car issues, including crashing into an entrance gate and needing my entire door replaced. I lost my driving permit and other important documents, had to replace my car battery, dealt with a squeaky wheel, and encountered a million signs and synchronicities telling me not to go to summer camp.

So I stayed and did a deep clean at the View Room.

This morning, I had the most amazing dream. I was with my partner. He was very tall, and we decided to be a couple—to go through life as one, although he had the face of my previous partner, it was not him. This union of two souls is my inspiration. My heart lights up when I think of you. I long for this kind of connection in physical form, and the new moon has inspired me to paint what I feel so deeply: “love.” Love for life and love for my partner. I believe this love is part of my potential at play.

I will try to paint what I feel for the partner I wish to unite with, though I have no idea how. So here is to us, my love.

Come find me. 🤍

Tuesday 06.16.26
Posted by Anna Biela
 

Outpouring Art

Outpouring by Aner

Ten spray-painted canvases measuring 180 × 120 cm present the outpouring of the gifts of the Holy Spirit. The work is inspired by the artist’s recent Baptism in the Holy Spirit as part of the Catholic Charismatic Renewal movement. Conceived as a single artwork spread across ten canvases, it is executed in a gestural spray-paint technique using the artist’s signature turquoise colour palette.

An integral part of the project is a site-specific installation in which the artist incorporates trees as easels and uses the interplay of light and shadow cast by branches and leaves as part of the painting, documentation, and presentation of the installation. The artwork reveals both an emotional state and the charismatic experience associated with the outpouring of the Holy Spirit, capturing the moment of Pentecost on May 24, 2026.

Biography

Anna Biela “Aner” is a visual artist. She holds a Doctor of Fine Arts degree from the Faculty of Painting at the Academy of Fine Arts in Warsaw, as well as a Master of Fine Arts degree from the Faculty of Graphic Arts at the Academy of Fine Arts in Wrocław. She also holds a diploma in Graphic Design from OCAD University (formerly the Ontario College of Art and Design).

In her artistic practice, she works with painting and site-specific installations, often operating in urban environments and natural landscapes, painting on both walls and canvases. Her work combines the charism of healing with the creation of artworks inspired by the outpouring of the Holy Spirit into the world.

At the turn of the year, she undertook an artistic residency in Bethlehem during the Christmas season, where she created murals in dialogue with existing works by the artist Banksy on the separation wall between Palestine and Israel. She stayed at the Walled Off Hotel for twenty-two nights. During the residency, she created three murals referring to the Holy Trinity: He[art], representing God; Dove, representing the Holy Spirit; and Issa, representing Jesus.

The previous year, in 2025, she created one hundred He[art]Glo paintings, which inspired the gestural spray-painting style that characterizes her current artistic practice.

Monday 06.01.26
Posted by Anna Biela
 

Pentecost

The Outpouring of the Holy Spirit — My Journey from Pentecost into Renewal

By Anna Biela, Ph.D, MFA, OCAD Alumna

May 20, 2026, Wroc[love], 9:19am

The outpouring of the Holy Spirit, known as Pentecost, is not only something written in history — for me it has become something deeply personal and alive.

It is understood in Christianity that this outpouring happens 50 days after Easter, when the disciples of Jesus were gathered in prayer and suddenly received the Holy Spirit. That moment, described in the Book of Acts (Acts 2), is seen as the birth of the Church — but also as the beginning of something that continues through every generation.

A Personal Experience of Outpouring

Yesterday, I experienced something I can only describe as an inner outpouring — a movement of peace, presence, and inspiration that felt like a gentle but powerful awakening within me. It was not loud or dramatic, but it was real in a way that shifted something inside my heart.

It felt like a reminder that the same Spirit that was present at Pentecost is not distant in time. It is alive, present, and still moving — not only in history, but in personal experience.

Walking the 50 Days

From today until the 50th day — until Pentecost itself — I feel called to a kind of journey. A space of openness, listening, and expression. I do not want to rush through it or reduce it to ideas. I want to live it.

During this time, I intend to pour out what I receive through painting, through prayer, and through singing.

Painting becomes my language of vision — where light, movement, and color become a response to what is unfolding inside. Prayer becomes my grounding — the place where I listen, surrender, and stay connected. Singing becomes my breath — the way what is inside moves outward into sound, into vibration, into offering.

This feels like my own small echo of Pentecost: not imitation, but participation.

The 1967 Renewal and Today

In modern times, many people also speak about moments of renewal, such as the 1967 Catholic Charismatic Renewal at Duquesne University. There, students prayed for a deeper experience of the Holy Spirit, and something shifted — prayer became alive, faith became personal, and many reported renewed spiritual gifts and transformation.

For me, this connects to something simple but profound: that the Spirit is not locked in the past. Whether in Jerusalem, in 1967, or today — renewal can happen wherever there is openness.

Pentecost as a Living Invitation

Pentecost, which in 2026 falls on 24 May, is not only a date on a calendar. It is a reminder of something ongoing — that life can be filled again, renewed again, and poured out again.

So I am entering this time with intention. Not just waiting for a moment, but walking toward it.

A time between now and Pentecost.

A time of painting what I see, praying what I feel, and singing what moves through me.

A time of allowing the outpouring to continue — through life, through expression, and through presence.

Because maybe Pentecost is not only something we remember…
but something we learn to live again.

Thursday 05.21.26
Posted by Anna Biela
 

Outpouring

A Voice Like Paint on Canvas

By Anna Biela, Ph.D, MFA, OCAD Alumna

May 21, 2026, Wroc[love], 7:55 am

During my Baptism in the Holy Spirit, as I was being prayed over by two intercessors, one of them suddenly asked me, out of the blue, “Do you like to sing?” I said I do, but I don’t know how. She said that God will show me how.

I told her that as a little girl I wanted to be a singer—that was my first desire of being an artist.

Moments later, when I was speaking with my new friend from the seminar, he asked if they told me anything. I said no, nothing… and then I remembered and said, actually, she asked me a bizarre question—if I like to sing.

He said, “Well, this is your opportunity to sing—we were all singing as we were praising God and praying through music.”

I said that this is the thing I am most terrified to do, because I sing out of tune. I don’t know how to repeat a rhythm or remember words. And he said, “Maybe you will sing in tongues.”

I said that would be perfect, because it would just pour out—like my paint on canvas.

So here I am today, reflecting on yesterday, which didn’t feel like anything extraordinary, and I wonder… will the outpouring of the Spirit happen through singing? Am I a singer trying to be a painter and healer?

A few years back I took a singing course, but I was so ashamed of my lack of ability to copy and repeat the songs we chose for a concert setting that I ended up lip-syncing.

I tried to join a choir twice in my life, and I got discouraged, because they would always isolate my vocals, and I thought it was because I was out of key.

That is the thing I am most terrified to do.

But I love singing in the sense of making sounds come out that don’t resemble any songs I’ve heard before. The only words I truly remember are prayers, and the only songs I sing are the Hail Mary and the Our Father, almost like a mantra.

Thursday 05.21.26
Posted by Anna Biela
 

He[art] Pulse Beat

„Let it be done to me” — about the moment when art stops being just art

By Anna Biela, Ph.D, MFA, OCAD Alumna

May 20, 2026, Wroc[love], 13:33pm

There is a moment in the Gospel of Luke (1:38) when Mary says:
“Behold, I am the handmaid of the Lord; let it be done to me according to your word.”

This sentence is not just agreement.
It is a moment of complete openness to something greater than one’s own plans, control, or understanding.

And I know this moment.

It did not happen in a church.
It did not happen in ideal conditions.
It happened somewhere between “normal” life and something that is difficult to name.

Before I came to Poland, I had an experience that is hard to place into simple categories.
It can be called an encounter. It can be called intuition. It can be called an inner voice that was stronger than everything else.

Something — or someone — came to me with a very clear message:
that my art would not be just art.

That it would become a channel.

That what would pass through it would touch people more deeply than aesthetics, technique, or trends.
That it would be a flow — something alive.

And that I was to agree to it.

This was not a strategic decision.
It was not a career plan.
It was a moment very similar to the one described in Luke:

will you open — or will you withdraw?

Because opening to something like this means one thing:
you lose full control over what your creativity is.

From that moment, painting stopped being just about creating images.
It became listening.

Not always comfortable.
Not always logical.
Sometimes even incomprehensible.

But real.

I do not claim that I fully understand what happened then.
And maybe that is the most honest place from which one can create.

Because instead of saying: “this was definitely it,”
I can say: “this changed me — and it continues to guide me today.”

If someone calls it a flow of the Spirit — I understand that.
If someone calls it deep creative intuition — I also understand that.

What matters most is what comes from it:

that art can be more than an image.
It can be a space through which something happens between people.

I am not the source.
I am the consent.

“Let it be done to me” in practice means:
I allow something to flow through me — even if I do not yet fully understand it.

And perhaps this is how things begin that later someone will call a movement.

Today I am on a path in a very concrete sense — I am participating in a Renewal in the Holy Spirit Seminar, which is part of the Catholic Charismatic Movement, which began in 1967. This experience becomes for me another confirmation and deepening of what I had already sensed in my art: that there is something like a “pouring out” — not of ideas or style, but of a living presence that moves a person from within.

And today, standing in the time of preparation for baptism, I look at my journey differently than before.
I see continuity.
I see process.
I see that what once came as an image or intuition is now taking the form of an experience that is guiding me.

My reflection is simple, but profound:
what was meant to happen in art was not only an artistic vision.
It was an invitation to participate in something greater.

Addendum — the root of this path

When I was 16 years old, I received an experience that I now understand as something like a charism of healing — although at the time I did not yet know this language or concept.

This experience entered my life in a way I could not then name. For a time, it was associated with a practice I knew as Reiki, but at the same time there was always something deeper and more personal within it.

Because regardless of the form, I always prayed to Jesus.
And it was always Him who was the one working through it.

Looking back, I see that this was not a separate path, but part of one continuous journey — leading me step by step to the place where I am today.

The experience of healing that appeared back then never disappeared.
On the contrary — it formed a deeper meaning in my life and sensitivity.

And today I see it as part of the preparation for this moment I am in now.

Because all of this leads me to one thing:
to a prayer.

A prayer that the Holy Spirit may descend upon me anew —
that He may fill me and my art,
that what I create may become a space of His action,
that what flows through my hands may carry a life that does not come from me.

And if I must say it in the simplest way:

I desire that the Holy Spirit be poured out upon my art.

Wednesday 05.20.26
Posted by Anna Biela
 

Come Holy Spirit

Intention for the New Moon

By Anna Biela, Ph.D, MFA, Alumna OCAD

May 16, 2026 Wroc[love] 22:11 pm

Awakening in the Holy Spirit: Charisms, Encounter, and Meaning

Introduction

A small group of ordinary people gathered at a retreat. There was no plan, no strategy, and no intention to start a movement. They were simply searching for something real—beyond routine and beyond tradition alone. They wanted to experience God in a living way.

They prayed: “Come, Holy Spirit.”

What followed was described not as an idea or theory, but as an experience of presence—peace, tears, joy, and a sense of closeness to God. This moment became known as the beginning of the Catholic Charismatic Renewal.

Personal Experience of Encounter

I entered into something connected to this path without fully understanding it. It began with a visit to an exorcist who invited me, and from that day the experience started.

Since then, there has been a strong inner process of reflection, emotion, and spiritual searching. This includes tears, questions, and a desire to understand what is happening internally in relation to God, the Holy Spirit, and Jesus.

Alongside this, there is a process of examining personal life and choices, including recognizing areas that require change and freedom.

Question of Meaning and Direction

A central question emerges from this experience: how to bring this spiritual awareness into the world of art.

The reflection is focused on whether art can remain only a commercial product or whether it can return to something more alive, meaningful, and transformative. The idea is that if life is understood as spiritually alive, then creative expression should also reflect that reality.

This raises a broader question about the role of creativity, authenticity, and purpose in artistic work.

Charisms (Gifts of the Holy Spirit)

Charisms are understood in Christianity as gifts of the Holy Spirit given not for personal status, but for the benefit of others and for the building of community.

The main charisms include:

Wisdom – understanding situations in the light of God

Knowledge – insight that supports discernment

Faith – deep trust in God in difficult situations

Healing – prayer for physical, emotional, or spiritual restoration

Prophecy – words that encourage, correct, or guide

Discernment of spirits – recognizing the source of spiritual influence

Tongues – prayer in a language not understood by the mind

Interpretation of tongues – understanding or explaining such prayer

In this understanding, charisms are not personal abilities but expressions of divine action through a person.

Conclusion

The Charismatic Renewal began as a historical event in 1967, but for many people it becomes a personal experience that raises questions about life, direction, and meaning.

It also leads to reflection on how inner transformation relates to outer expression, including art, creativity, and daily life.

The central question remains open: how does one respond when life is experienced as spiritually awakened and internally transformed.

Saturday 05.16.26
Posted by Anna Biela
 

He[art] Over Energy

I Thought It Was All the Same

By Anna Biela, May 15,2026, Wroc[love] 8:48 am

I realized something today that changed everything for me.

Why would I seek power in an egregor, in created systems, or in energies shaped by human hands… when I can go directly to the source — to God?

There is a difference. I didn’t always see it clearly, but now I feel it.

When I was prayed over — when hands were placed on me in the name of Jesus — I felt the Holy Spirit pour into me. Not something distant, not something I had to reach for… but something that filled me completely, to the brim. Alive, present, undeniable.

I cannot say I ever experienced that depth in Reiki, bioenergy, or any other practice. I know people seek healing there, and I understand why — but for me, it was not the same source.

I used to think all “energy” was one and the same, just different names. Now I see there are two paths — and they are not identical.

Jesus is the gateway. The shepherd. The one who leads safely.

What art needs is not man-made love, not constructed emotion or borrowed symbols — but real love. The kind that flows into us from God, through the Holy Spirit. That love transforms. That love heals.

I also understand now why certain practices are not accepted within the Catholic Church. It is not about limitation — it is about protection.

I learned this the hard way. Trying to do good, I opened doors I didn’t understand. And I paid the price for that confusion.

But today, I can say this clearly:

I am free.

And now I choose the path that leads directly to He[art].

Friday 05.15.26
Posted by Anna Biela
 

Spirited Up

Walking with the Holy Spirit

By Anna Biela, May 14,2026

This journey started in Bethlehem, where I unintentionally painted the Holy Spirit and, for that matter, the entire Trinity. Yesterday I made a promise to walk down this path with Jesus Christ. I will be praying for this to unfold and for guidance.

When it comes to energy work I’m choosing to work only with the Holy Spirit, which feels far more powerful than anything I’ve experienced before.

Within that path, there is also the charism of healing, so I’m still going to follow the healer’s path—but in a way that feels safe for me, because I need protection from anything dark.

From what I have felt and seen, I can say that I have never felt anything like this before, and it moves me to tears.

The Renewal in the Holy Spirit Seminar has been a powerful experience. Next we we pray for the Holy Spirit to come and renew the connection to Source.

Thursday 05.14.26
Posted by Anna Biela
 

He[art]Pulse

New Painting Series Concept — He[art]Pulse

By: Anna Biela, May 13, 2026

Ph.D (Fine Art, Painting) MFA (Fine Art, Graphic Art) OCAD Alumna (Graphic Design)

He[art]Pulse is a series of paintings that explore the movement of inner feeling as visible rhythm.

Each work begins not with an image, but with a pulse—an emotional or energetic moment that passes through the body. This pulse is translated into gesture, color, and layered movement on canvas/wall, becoming a record of something alive rather than something planned.

The paintings are not illustrations of emotion. They are traces of it. Each layer carries a different state: calm, tension, release, silence, intensity what ever Aner is feeling, showing her true self not hiding behind love. Together they form a visual rhythm that shifts between control and surrender.

Spray paint marks act like heartbeat signals—repeating, breaking, returning. Color behaves like breath: expanding, fading, and reappearing in new forms. No single painting is fixed; each one holds a sense of ongoing motion, as if the image could continue beyond the edges of the canvas.

The series invites the viewer to experience painting as a field of energy rather than an object. What is seen is not only surface, but movement made visible—an emotional frequency captured in matter.

At its core, He[art]Pulse asks:

What does feeling look like when it stops being hidden and starts to move through form?

Wednesday 05.13.26
Posted by Anna Biela
 

Feared Up

By Dr. Anna Biela Ph.D, MFA, OCAD Alumna 13.05.2026 Wroc[love]

Follow up 🤍 I realized it was out of fear that I wanted to cancel all my art and travel plans, but I no longer fear—Nothing has power over me.

I’m done being a victim. No more.

I’ve spent too long living in fear, feeling like something had power over me—but it doesn’t. Whatever was there is gone, and I refuse to let the fear of it coming back control my life.

I’m tired of walking on eggshells, scared that one mistake could undo everything. That’s not how I’m going to live anymore.

My life isn’t perfect—no one’s is—but I’m done letting fear define me. I am a strong woman, and this will not break me. Fear will not stop me. I will keep moving forward, even when it feels like no one sees me—because I see myself. I free my self from fear.

He[art]Pulse… what better way than through art? I still have a pulse and a reason to live—to heal, to love, to be 🤍

Wednesday 05.13.26
Posted by Anna Biela
 

Loved up on He[art]

Let’s get the world loved up on He[art].

By Dr. Anna Biela Ph.D, MFA, OCADA 08.05.2025 Wroc[love] 9:44 am

In the language of quantum physics—often used as a metaphor for perception and reality—focused awareness shapes experience. What we repeatedly observe, feel, and attend to begins to form our lived reality.

In the language of collective psychology, this is also what is called an egregor — a shared field of thought, emotion, and symbolic meaning created by many minds focusing on the same idea. It grows stronger through attention, repetition, emotion, and participation.

At the same time, in today’s world we also have something like an attention aggregator — a force created by visibility, reach, and cultural recognition. Certain artists, platforms, and voices naturally gather global focus, amplifying whatever they touch into collective awareness.

Art becomes the bridge between both: the egregor of meaning and the aggregator of attention.

He[art] is a living egregor of conscious love — not something outside of us, but something we continuously create together through attention and expression.

When awareness gathers around compassion, beauty, and presence, the collective field shifts. When attention fragments into fear or separation, the field changes again.

So the question becomes simple:

What are we feeding with our focus?

Heart is the frequency and directed energy.
Art is the carrier wave.
The egregor is what we build together through what we choose to see, feel, and create.

He[art] is that choice made visible.

I deeply value the idea of joining creative forces with artists who already carry a strong global attention field and have their heart in the right place—because when visibility and intention align, the impact multiplies. The artist Banksy, whose cultural presence acts as a massive attention aggregator, shows how far a single symbolic language can travel. When that reach aligns with heart-centered intention, the potential for collective reflection becomes even greater.

He[art] is where art, heart, awareness, visibility, and artists meet—into a now that is based on integrity, not authority.

#aner #banksy #one #heart #activism

Friday 05.08.26
Posted by Anna Biela
 

ROVAS

ROVAS ART RESIDENCY 2026

I will be attending and working across three locations in Hungary and Slovakia, with open space for visits, shared time, and an ongoing artistic process.

I am attending, but I am also accepting visitors and drop-in guests. There is plenty of free time to spend together.

HUNGARY — 8–17 JUNE, TIHANY

In Tihany this year, I want to paint directly on the wall and focus less on canvas.

SLOVAKIA — 14–19 JULY, GOMBASEK

In Gombasek, I want to focus on dancing sober.

SLOVAKIA — 27 JULY–5 AUGUST, DEBRAD

In Debrad, I want to restore and fix the paintings I already created there, as they got damaged.

Monday 04.27.26
Posted by Anna Biela
 
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