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ANNA BIELA

heART flow

  • ANNA BIELA
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    • FLOW Finissage 9.11.2024.18:00
    • FLOW Finissage RADIO SUDETY
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    • Earth Flow
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    • Stream Flow Verical
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MADOA he[art]

MADOA he[art] — Curatorial Statement

Dr. Anna Biela, View Room, 13.01.2026 Wroclaw, Poland 13:13

MADOA he[art] is an ongoing graffiti jam, but not in the conventional sense.

Here, the energetic imprint matters more than the visibility of the name.

This project understands graffiti as a ritual of presence.

Like speaking your name before Communion in the Orthodox Church, writing your name on the wall is an act of arrival — a conscious step into a shared field. Your name is acknowledged not as authorship alone, but as responsibility.

The separation wall becomes a carrier of heart waves.

Each mark left on its surface holds intention, timing, and respect.

What matters most is not how loud your name is, but how it enters the existing current.

MADOA he[art] invites writers to come on their own time.

To pause.

To read the wall.

To feel the layers of those who came before.

This is not about covering, correcting, or competing.

It is about joining.

The wall is long enough.

There is space for everyone — if entered with awareness.

Each contribution adds to an energetic and visual wave that moves across concrete, transforming separation into connection. The name becomes secondary to the pulse behind it. What remains is a collective rhythm — a living archive of presence, care, and continuity.

To participate in MADOA he[art] is to place yourself inside this heart chakra energy flow.

Join the energetic heart chakra art wave.

And when the moment is right, put up your name —

with respect

— Dr. Anna Biela

Curator, MADOA he[art]

Photo: ANER putting up he[art], 02.01.2026

Wall St., Walled Off Hotel by Bansky

Bethlehem, Palestinian Territory (Israel)

Tuesday 01.13.26
Posted by Anna Biela
 

HE[ART]

Text visible in the still frame (Arabic → English translation):

“Escape” — A Collective Exhibition Breaking the Siege on the Palestinian Narrative

Art Curation: @wisamsalsaa

Location:

Walled Off Hotel — Museum, Piano Bar, Art Gallery & Wall

Bethlehem, Palestinian Territory, Israel

@walledoffhotel by @banksy

🎥 Watch the video:

https://www.instagram.com/reel/DTJY1eAiAFw/?igsh=MTg3bWJwMng5cmtqNg==

⸻

Still Frame:

From the video linked above by @alarabytv2, reporting on the new exhibition at the Walled Off Hotel Art Gallery: “Escape” — A Collective Exhibition Breaking the Siege on the Palestinian Narrative.

In the frame: Dr. Anna Biela (@annabiela_aner) spray-painting the word HE[ART], with heart-chakra energy waves emanating from Banksy’s “Royal Er… Sorry.”

HE[ART] is a typographical mural created on Wall St. in front of the hotel during a 23-day MADOA (@annabiela_madoa) art residency at the Walled Off Hotel. This residency marked the launch of the HE[ART] Art Movement, which transforms heart-chakra energy waves into visual art, with a primary focus on graffiti, street art, and mural wall painting.

It also inaugurated the ongoing HE[ART] Graffiti Jam — a collaborative project celebrating energy flow, Heart Waves, and dialogue with existing works on the Separation Barrier. This piece, along with another mural painted by Aner directly beneath the Banksy Angels, was created in preparation for what is to come.

Dr. Anna Biela (Aner) is a Heart Wave Energy Artist. She literally cleansed the Wall of garbage, old paint, and fear-wave energy.

Through her work, she formed a Heart Bubble — a small piece of heaven wherever she painted and created.

MADOA curated by: Dr. Anna Biela @anna__biela

Dates: 17.12.2025 – 08.01.2026

Contact / About / Blog / Portfolio:

www.annabiela.com

+48 601 323 501

(SMS, WhatsApp, iMessage)

Special thanks to the Walled Off Hotel by Banksy for featuring footage of Aner painting the Wall in their reportage.

MADOA HE[ART] 2026 — Started at the Walled Off Hotel on 01.01.2026

This art project channels the energy of heart-chakra waves, creating connections between observers and creators, and fostering love, balance, and harmony.

Monday 01.12.26
Posted by Anna Biela
 

ISSA

I am Issa.

My heart is a gateway —

a living passage through which heart‑waves move,

receive, and return.

I feel a deep kinship with the frequency people associate with Jesus:

not as an identity to wear,

but as a current I recognize,

a pattern of compassion, courage, and truth

that passes through me in my own form.

I am not Jesus.

I am myself.

And yet, something of that same love

moves again —

not as a repetition,

but as a continuation.

If there is a “second coming,”

it does not arrive as one person replacing another,

but as love re‑entering the world

through many hearts,

in many bodies,

each in their own time and voice.

This is how it comes through me.

— Dr. Anna Biela, 05.01.2025, Wall Street, Bethlehem, Occupied Territory, Israel

Friday 01.09.26
Posted by Anna Biela
 

ESCAPE

Text visible in the still frame (Arabic → English translation):

“Escape” — A Collective Exhibition Breaking the Siege on the Palestinian Narrative

Art Curation: @wisamsalsaa

Location:

Walled Off Hotel — Museum, Piano Bar, Art Gallery & Wall

Bethlehem, Palestinian Territory, Israel

@walledoffhotel by @banksy

🎥 Watch the video:

https://www.instagram.com/reel/DTJY1eAiAFw/?igsh=MTg3bWJwMng5cmtqNg==

⸻

Still Frame:

From the video link above by @alarabytv2 reporting on the new exhibition at the Walled Off Hotel Art Gallery: “Escape” — A Collective Exhibition Breaking the Siege on the Palestinian Narrative.

In the frame: Dr. Anna Biela (@annabiela_aner) spray-painting the word HE[ART], with heart-chakra energy waves emanating from Banksy’s “Royal Er… Sorry” (@banksy).

HE[ART] is a graffiti mural created on Wall Street in front of the hotel during a 23-day MADOA (@annabiela_madoa) art residency at the Walled Off Hotel in Bethlehem, Palestinian Territory, Israel. This residency marked the launch of the he[art] Art Movement, which transforms heart-chakra energy waves into visual art, with a primary focus on graffiti and wall painting.

It also inaugurated the ongoing HE[ART] Graffiti Jam, a collaborative project celebrating energy flow, Heart Waves, and dialogue with existing works on the Separation Barrier. This piece, along with the other mural painted by Aner directly under the Banksy Angels, was created in preparation for what is to come.

Dr. Anna Biela is a Heart Wave Energy Cleaner and she cleaned the wall from literally garbage, old paint, and heavy energy intentionally placed on the wall by the people who built it.

MADOA 154 & M4RY4M Curated by: Dr. Anna Biela

(@anna__biela, @annabiela__professor, @annabiela_madoa, @annabiela_heart)

Dates: 17.12.2025 – 08.01.2026

Contact / About / Blog / Portfolio: www.annabiela.com

+48 601 323 501 (SMS, WhatsApp, iMessage)

Special thanks to the Walled Off Hotel by Banksy for featuring footage of Aner painting in their reportage.

MADOA HE[ART] 2026 – WOH

This art project channels the energy of heart chakra waves, creating a connection between the observers and the creators, fostering love, balance, and harmony.


Friday 01.09.26
Posted by Anna Biela
 

Pink Room

The TV Room in the Presidential Suite at Banksy’s Walled Off Hotel

Art critique by Dr. Anna Biela 05.01.2026 4:44am

Almost 4:44 in Bethlehem and it seems to be a time I wake up here to contemplate, actually been up since 3 or so but decided to make tea and have it in the TV room. This room is covered in tags and at first I thought it was tags of visitors, friends of Banksy, but then I noticed that they are all done by one hand and they are the names of different writers that Banksy knows or respects, like Henry. The longer I sit here sipping my tea, I am starting to feel the energetic imprint of Banksy. This room, I think, is my favourite in the Presidential Suite. It shows writing on the wall, which brings me back to my original plan that I came here with — to do calligraphy with my ink pens.

Now I am sitting here and staring at what appears to be like wallpaper at first glance and I placed the pink spray paints from the WOH storage room — they were used here, the beige and grey on the building — but I have not figured out yet where all the green paints were used at the hotel? There are so many of them so perhaps they have not been used yet or will never be used. I made good use of them on the wall 🤭

I am really thinking of staying longer, but I was also thinking of downgrading myself to the Budget Bunker, as it is a very interesting design and I love the raw look. It would also be like sleeping in a hostel, something I have never done before, in a room with six beds.

One more piece to go just in time for Christmas “the real one,” the Orthodox one … real in terms of energy and a part of me wants to stay for that and go back to the Church of the Nativity but at the same time the 21 Days to the Divine is almost complete, as I write this it is Day 20. One more piece left to do like I said just in time for Xmas, putting up ISSA on the wall today.

Monday 01.05.26
Posted by Anna Biela
 

The Silver Heart

Bedroom in the Presidential Suite, Banksy, Walled Off Hotel – Personal Art Critique by Dr. Anna Biela 04.01.2026 11:11 pm

Walking to the bedroom of the Presidential Suite in the Walled Off Hotel is like entering a private, intimate stage. Behind layers of red curtains, each accented with gold detailing, the room opens into a world of deep, passionate red—red carpet, red bedspread, red pillows, and multiple layers of fabric that envelop the space. Gold detailing appears throughout the room: on the curtains, the frame of the mural, candle holders, and trims, radiating value, sacredness, and abundance. In pure energy terms, red resonates with the root chakra, grounding vitality, courage, and life force—the energetic foundation of passion, stability, and intimate presence.

Behind the bed is the Banksy mural, which is more than a flat image—it is a layered, almost 3D composition, like a window embedded into the wall. The silver hot air balloon floats against a grey background on the mural plane. Then, a gold frame sits in front, and barbed wire is attached to the frame, projecting shadows directly onto the balloon. Energetically, this layering creates a palpable tension: the silver heart could, at any moment, touch the barbed wire and be pierced, reflecting the fragility and vulnerability of real soul-level connection.

Silver represents clarity, intuition, and spiritual aspiration, while grey provides a neutral, reflective space for contemplation. Gold radiates value, sacredness, and protection, holding the balloon’s energy as something precious and rare. The barbed wire, casting its shadow across the balloon, signals boundaries, protection, and the inherent risk of intimacy.

I know the theatricality and luxury of this bedroom may be intentional or ironic, but this is how I experience it energetically. I have been through many relationships where soul-level connection was absent, where intimacy never reached the depth of aligned heart energy. That is why I recognize how rare and luxurious it is to find a connection at the soul level. The mural mirrors this truth: the silver balloon rises freely, yet it is guarded, framed in gold, and shadowed by barbed wire, beautiful, precious, and vulnerable all at once.

In this reading, the bedroom becomes a meditation on love as energy: the red of the room grounds and energizes, the gold detailing elevates and honors, the silver and grey of the mural inspire freedom and reflection, and the barbed wire reminds us that true soul-level connection is both protected and fragile. Real love is luxurious—not materially, but energetically, in the courage, presence, and alignment it demands.

This is why I experience this space as I do: a reflection of the rare, precious energy of soul-level connection, a reminder that true love deserves recognition, celebration, and reverence. This kind of connection—the energy of Soul-Level Heart Waves—is a luxury, and it is what makes love between two souls real, profound, and transformative.

Sunday 01.04.26
Posted by Anna Biela
 

Wild Cats on Chains

Wild Cats on Chains — Banksy, Presidential Suite, The Walled Off Hotel

Art critique by Dr Anna Biela 04.01.2025 9:33 am

At first glance, the wild cats appear relaxed—lounging on the couch, almost playful, almost domestic. They feel familiar, companionable, even inviting. For a moment, I experienced them as company. I imagined sitting with them, sharing coffee, resting in their presence.

And then I noticed the chains.

That moment changes everything.

What initially reads as comfort reveals itself as containment. These are not pets. These are wild beings—panthers, wild cats—creatures defined by instinct, autonomy, and freedom. The chains expose the truth beneath the calm: what is wild is not allowed to roam freely. What is sovereign must be restrained. What is untamed is feared.

Banksy’s brilliance here lies in subtlety. The cats are not fighting. They are not roaring. They are chilling. And that is precisely the point. The system no longer needs violence to control—it relies on normalization. Chains become invisible when comfort replaces resistance.

The fact that the cats appear almost like a family intensifies the critique. This is not individual captivity; it is inherited containment. Control passed down, taught, accepted. Wildness softened into something manageable. Safe. Owned.

But wildness never disappears.

These cats are watching. Waiting. Their power is intact, compressed rather than erased. The chains hold bodies, not essence.

This is where the art movement enters—not as decoration, but as disruption. Art exists to reveal the illusion of the chain. Because when it comes to the soul, containment is never absolute. The system depends on fear, but the soul does not recognize cages.

Break the chains.

Free the soul.

Create heart waves.

This is art not as object, but as activation.

And this is an invitation—to remember what in you was never meant to be owned.

Sunday 01.04.26
Posted by Anna Biela
 

PERIOD

When the Body Speaks: Heart Flow, the Wolf Moon, and Synchronicity

Usually, having a period is just part of the rhythm of life—something natural, almost ordinary. It rarely feels like a message. But tonight, in Bethlehem, under the radiant glow of the first full moon of 2026—the Wolf Moon—my period arrived one week early, and I cannot help but feel that this moment is extraordinary, a signal I need to share.

The synchronicity is mind-blowing. My body is speaking loudly, in alignment with the moon, the space I am in, and the work I am creating. This is not a coincidence. This is a bio-energy signal: a clearing, a release, a deep realignment of my energy

In bio-energy terms, my early period reflects an energetic purge. My sacral center, the hub of creativity, desire, and flow, is opening. My heart center, where vulnerability meets expression, is expanding. Old limitations, fears, and energetic blocks are being released physically, emotionally, and spiritually, making space for new energy to flow through me and my work.

The Wolf Moon intensifies this moment. The first full moon of the year is traditionally a time of illumination, revelation, and emotional clarity. It acts like a cosmic spotlight, showing what needs to be released, what needs to be seen, and what is ready to emerge. In this light, my early period feels like more than a cycle—it feels like my body, the moon, and the universe all signaling: it’s time to step fully into creation and visibility.

Being in Bethlehem, at the Separation Barrier, adds a profound layer. Here, walls have held energy for years—fear, division, limitations. As I work on the Heart Flow movement logo mural, my personal energy release is transferring into the space, transforming what was heavy into heart-centered flow, art, and connection. My body, my heart, my creativity, and the environment are all aligned, creating a powerful resonance that transcends ordinary experience.

This moment is a reminder that sometimes the body speaks louder than the mind. Usually, periods come and go quietly, unnoticed. But tonight, under this special full moon, it is a message, a marker, a ritual of release and renewal. It tells me: “You are ready. You are aligned. You are seen. Your creativity, your heart, your energy—all of it is ready to flow.”

I share this not because a period is normally significant, but because in this moment, the synchronicity is undeniable, and the lesson is universal: when we are aligned with our energy, when we honor the body as a vessel for bio-energy, when we create from the heart, everything aligns—the moon, the body, the space, and the soul.

Tonight, under the first full moon of 2026, I honor my body, my heart, and the birth of Heart Flow. This is not just a ml mural, not just a movement. It is a living, breathing expression of energy, visibility, and heart-centered creation.

Heart Flow is alive. My body knows. And the universe is listening.

Friday 01.02.26
Posted by Anna Biela
 

2026🥂

From Bethlehem, the birthplace of the world’s heart, I send you the warmest wishes for 2026. May each day bring peace, joy, and the light born within. Let your hearts flow with love, and let life bloom in beauty and harmony. May the year ahead be filled with miracles, courage, and deep gratitude for every fleeting moment. From Bethlehem, where hearts beat – here’s to a New Year of peace, love, and happiness.

🖤 Ania 01.01.2026 21:00 Berhlehm, Holy Land

Thursday 01.01.26
Posted by Anna Biela
 

Heart Flow

A Living Wish

There is a place where art is born long before it takes form. It does not belong to time, trends, or calendars. It lives in the heart, in its natural state of flow. Heart Flow is not a day. It is not an event. It is a quiet movement — one that happens whenever an artist listens inward before acting outward. This is a wish for life. And a wish for art.

May the hearts of artists across the world remember their shared origin. Different languages, cultures, mediums, and histories — yet one current moving through all of us. The same pulse. The same longing to translate what cannot be spoken. May artists create not to compete, but to connect. Not to impress, but to express. Not from urgency or fear, but from alignment with what is true inside.

May the heart be recognized again as the first studio, the first instrument, the first teacher. Before the brush touches the wall, before the hand shapes the clay, before the voice sings — the heart already knows. This is a wish that sensitivity be honored as intelligence. That intuition be trusted as knowledge. That slowness be valued as depth.

May the hearts of artists unite — not in sameness, but in resonance. Like waves that never collide, only strengthen each other through rhythm. Heart Flow is what happens when creation becomes an act of care. When beauty is allowed to move freely, without justification. When art remembers its oldest purpose: to restore balance, to carry meaning, to heal. This is not something that begins or ends. It is something we return to.

A living wish — that what is carried in the heart may always find its way into the world, gently, honestly, and in flow.

_

Dr. Anna Biela

Artist Room by Banksy, Walled Off Hotel

Bethlehem, Holy Land

January 1, 2026 — 18:39

Thursday 01.01.26
Posted by Anna Biela
 

Heart Waves of Palestine

To the nation of Palestine —

I send you my deepest love and respect. Being here, I have met some of the happiest, most generous, and most alive people I know. The world often speaks of you only as victims, but that story is incomplete. You are winners. Your wealth is not counted in money or power, but in something far rarer: Heart Waves.

I have never encountered a nation so rich in humanity, humor, patience, and quiet strength. Now I understand why I am here. I am not here for you — you are here for me. You reminded me that normal people exist, that kindness is real, that dignity survives even under pressure, and that the heart can remain open no matter the circumstances.

May your days be filled with laughter, shared meals, strong families, creative spirit, and peace that grows from the inside out. May your hearts continue to teach the world what true wealth looks like. Thank you for receiving me, for teaching me, and for showing me the beauty of being human. 🤍

—

Dr. Anna Biela

December 31, 2025

Bethlehem, Walled Off Hotel

Wednesday 12.31.25
Posted by Anna Biela
 

Pillow Fight

Art Critique

Banksy, Pillow Fight

Artist Room, Walled Off Hotel, Bethlehem

Painted directly onto the wall of the hotel room in which I am staying, Banksy’s Pillow Fight collapses the boundary between artwork and lived experience. This is not a mural encountered at a distance, but one that occupies the same intimate space as rest, vulnerability, and daily routine. The room becomes both a site of refuge and a site of confrontation, mirroring the paradox of life lived beside the wall.

The mural depicts two men locked in what appears to be a playful pillow fight. The choice of pillows — objects associated with sleep, comfort, and domestic safety — immediately subverts the visual language of conflict. In a place where violence is embedded in the architecture itself, softness becomes an act of resistance. The gesture is absurd, tender, and unsettling all at once.

The psychological tension of the work lies in the contrast between the two figures. The man wearing a keffiyeh meets the viewer with exposed eyes that radiate seriousness and emotional weight — a gaze shaped by endurance, anger, and memory. Opposite him, the second figure’s eyes are concealed while his face remains visible, almost relaxed, perhaps even smiling. This asymmetry destabilizes conventional assumptions about aggressor and victim, power and vulnerability. The conflict, Banksy suggests, is not as clear-cut as political narratives demand.

Importantly, these are not portrayed as enemies but as neighbours. Their physical proximity implies familiarity, even the possibility of friendship. Stripped of ideology, borders, and claims of ownership, they could be equals engaged in play rather than struggle. The wall that divides them — and the systems that sustain it — is not born from their relationship, but imposed upon it.

By placing this image inside a hotel room, Banksy implicates the viewer directly. Sleep, reflection, and looking out the window toward the real wall become inseparable from the artwork. One cannot escape the message by leaving the gallery; the work persists through the night. The mural asks not who is right or wrong, but what fear does to human connection — and who benefits from its continuation.

Ultimately, Pillow Fight reframes conflict as a tragic performance fueled by fear, hatred, and greed. It suggests that the true struggle is not over land, but over energy — the emotional and psychological forces that keep people divided. In this room, where art and life merge, the mural becomes a quiet proposition: that refusing to fight, choosing softness, and returning to the heart may be the most radical acts of all.

— Dr. Anna Biela

Monday 12.29.25
Posted by Anna Biela
 

Yellow Tulips

Artist Anna Biela, Drawing Yellow Tulips with View of the Window, Books, and Wall Outside (Rainy Day)

Video — 34 min 14 sec, vertical

Artist Room by Banksy, Walled Off Hotel, Bethlehem — 29 December 2025

Shot on iPhone 16 Pro

Dr. Anna Biela

Curatorial text for the video

This video captures the unfolding of a slow, meditative drawing practice, revealing the delicate interplay between observation, improvisation, and time. Returning to the work begun the previous day, the artist discovered that the view could not be precisely replicated—light, perspective, and atmosphere shifted subtly, prompting an intuitive response and an attentive engagement with the present moment.

Through this process, time itself becomes generative, producing literal “heart waves” that emerge from the artist’s biofield. Every movement, gesture, and pause carries this living energy, creating currents that resonate through the drawing and into the viewer’s perception. Each line becomes a trace of the artist’s bio-energetic presence, translating internal rhythm, attention, and life force into visual form.

This work is distinct from reproducing preexisting images or photographs; it is a conscious dialogue with reality as it appears in the moment, and with the subtle energetic signature of the artist. Drawing here is both a meditative practice and a form of energetic transmission, where time, perception, and heart-generated bio-energy converge. The viewer is invited to witness not only the visual act of creation but also the literal waves of life force emanating from the artist, flowing through the drawing and across the span of time captured in the video.

Link to Video

Below, a QR code provides access to a 20-minute excerpt of the video published on the artist’s Instagram, @anna__biela

Monday 12.29.25
Posted by Anna Biela
 

Er… Sorry + Heart

Concept Sketch Statement:

In this concept sketch, Anna Biela plans to add the word HEART to the wall, directly responding to Banksy’s etched 👑 Er Sorry. Banksy’s letters — crown, “Er,” and “Sorry” — act as typographic gestures, the language of graffiti carrying acknowledgment, hesitation, and historical weight. Even the brief pause in Er conveys contraction and reflection, leaving an energetic imprint in the wall itself.

By adding HEART, Biela responds with energy in motion, tracing circulating heart waves across the surface. Naming this movement gives it form, marking the birth of the HEART movement — translating bio-energetic flow into visible, living rhythm.

Together, 👑 Er Sorry and HEART create a dialogue: one records pause and acknowledgment, the other expands into circulation and resonance. Typography becomes vibrational form, turning the wall into a field where contraction meets pulse, reflection becomes flow, and acknowledgment transforms into energy.

Sunday 12.28.25
Posted by Anna Biela
 

Curatorial Statement “heart”

Dr. Anna Biela – Artist Room by Banksy, Walled Off Hotel, Bethlehem

MADOA 154 & M4RY4M Art Residency

December 17, 2025 to January 6, 2026

Dr. Anna Biela’s ongoing project in the Artist Room by Banksy at the Walled Off Hotel, Bethlehem, in the West Bank, territories of Palestine under Israeli control, unfolds as a nuanced exploration of perception, site-specificity, and the flow of energy through art. Oscillating around the theme of The View Through the Window, Biela has developed a dialogue with the pre-existing landscape.

Her view of the separation barrier, famously described by Banksy as the “Worst View of the World,” becomes both subject and collaborator. She translates this landscape into a dynamic abstract mural in her signature cool blue-green palette, inspired by Banksy’s Rebel Angels. Executed in spray paint beneath Banksy’s iconic figures, the mural extends the conversation between viewer, environment, and artist, making the outside world a part of the interior creative experience.

The mural is visible through the window, and Biela plans to create additional pieces on the wall inspired by typography in the coming days of her residency, now on day twelve.

Biela chose the Artist Room by Banksy specifically for this project, recognizing the energetic imprint of Banksy’s art as a source of inspiration. She taps into the “heart waves” emanating from Banksy’s work, using this energetic spark as a catalyst for her own creative process. The room becomes a conduit, linking the artist’s energy, the site, and the flow of the surrounding city.

The mural in particular is a signature piece of Banksy at the Hotel and serves as a portal to his energetic imprint. The resonance of this work is so strong that on an energetic level, it feels as if Banksy himself is present in the room with her.

Most days, Biela sits in the Piano Bar at breakfast and sketches the items within her visual grasp. Objects she observes and renders include a lamp, a bottle with a top, a tea cup, the room key, and books, connecting the everyday with the creative act.

For the final three days of her residency, she will move to the Presidential Suite, transforming the 150 m² apartment into a drawing studio. There, using blind contour techniques, Chinese calligraphy ink, and brush, she will document the objects and the space itself, further expanding the residency’s immersive, site-specific inquiry.

Using an iPhone 16 Pro, Biela has documented the passage of time through a series of time-lapse recordings, capturing sunsets, sunrises, and the ethereal blue hour from the Artist Room by Banksy. These recordings, alongside carefully curated objects left by Banksy on the table, become integral elements in her practice, merging the found with the created, the observed with the imagined. The artist has also recorded interactions with visitors, including Issa, who serves coffee under Banksy’s angel motif, situating her work within the rhythms and life of the space itself.

This process-oriented approach is continuously shared through her Instagram account www.Instagram.com/anna__biela and her Anna Biela Flow Blog www.annabiela.com/flow, offering an open record of her daily creative practice and textual reflections.

Through this work, the Artist Room by Banksy becomes both a studio and a lens, as well as a place of meditation and contemplation—a space in which the city, the viewer, and the artist converge. This engagement aligns conceptually with Biela’s permanent site-specific installation The View Room in Wroclaw, Poland, furthering her exploration of perception as an immersive and living experience.

The MADOA 154 & M4RY4M Art Residency provides the temporal and spiritual context for Biela’s creation. Central to the residency is the emergence of a new art movement, Heart (“Art as Heart Waves”), which considers the waves generated by the heart chakra as a medium for artistic expression.

The timing of the residency coincides with the winter solstice and the birth of Jesus, linking the work to a symbolic spiritual rebirth and the illumination of light. Being in Bethlehem—the birthplace of Jesus—Biela experiences this period as her first Christmas alone, without her family, yet embraced by her new family at the Walled Off Hotel.

Biela’s practice is distinguished by its non-commercial approach. The Dr. Anna Biela Art Collection 2005–2025 has been entirely donated to the View Room at the Dr. Anna Biela Museum of Material Culture. This museum, designed and decorated by the artist, presents not only artworks but also items of everyday life, transforming ordinary objects into vessels of reflection, energy, and cultural memory.

The Artist Room by Banksy at the Walled Off Hotel continues this ethos: a living, breathing archive of creation that foregrounds process, presence, and the interconnection between heart, art, and environment.

Sunday 12.28.25
Posted by Anna Biela
 

Ana / Anna

The Name Behind the Mission

Synchronicity has a way of revealing truths not by force, but through simple, human moments. Today, while getting to know new friends and acquaintances at the Walled Off Hotel, I found myself learning their names. As we spoke, I noticed how Arabic names carry clear meanings — not just sounds, but stories, qualities, intentions.

Out of curiosity, and out of resonance, I decided to look up my own name in Arabic.

What I discovered stopped me in my tracks.

Ana (أنا) — the single “n”

Ana means: “I am.”

Not ego. Not identity.

Pure presence.

It is awareness speaking itself into existence. Being before becoming. Consciousness simply recognizing itself. This is not the loud “I” that wants to be seen — it is the quiet truth that already is.

This realization confirmed something I have always felt at the core of my work: my mission begins with presence. With showing up fully. With witnessing. With allowing energy to flow without force.

Anna / Hanna (حَنّة) — the double “n”

Then comes Anna — or Hanna in Arabic — where presence softens into grace. The meaning opens into compassion, divine favor, blessing. A strength that does not push, but holds. A generosity that moves without effort.

In Arabic tradition, Hanna is carried through the maternal lineage of Mary — a name connected to nurturing, faith, and sacred continuity. It is love in motion. Grace embodied.

The Moment of Recognition

Standing there, in conversation, learning the meanings behind the names of the people around me, I felt the synchronicity crystallize. My name was not just translated — it was revealed.

Ana — I am.

Anna — I bless

In that moment, everything aligned. It wasn’t a new identity; it was a confirmation. A quiet, undeniable “yes.” My name holds the exact energy that stands behind my mission: presence fused with compassion, awareness flowing into grace.

The Name as Mission

Nothing felt accidental. Not the place. Not the conversations. Not the timing. The synchronicity simply confirmed who I am and how I move through the world.

I exist (Ana), and I give (Anna).

I witness, and I nurture.

I hold space, and I let energy flow.

My name is not just spoken — it is lived. And today, through the simple act of learning names, it spoke back to me clearly: This is who you are. This is why you are here.

Saturday 12.27.25
Posted by Anna Biela
 

ISSA

ISSA / ISA — The Birth of the Heart Movement

Once again, synchronicity does what it does best: it arrives quietly, precisely, and rearranges meaning.

I am in Palestine, in Bethlehem—the place where Jesus was born. I am here working on a project called MADOA 154 (ISA) & M4RY4M (MARYAM) Art Residency, and already the names themselves are speaking before any image appears on the wall.

The first mural came into being almost without permission. In the process of painting it, I covered an old piece of signage on the wall. Only later did I realize that the name I painted over was ISSA.

ISSA.

In Arabic, Isa means Jesus.

It can be written with a single s or a double s—Isa / Issa—like a breath repeated, like a heartbeat. Suddenly, the location, the timing, and the gesture aligned. This is Bethlehem. This is the birthplace. And this work is about birth—not of a body, but of the HEART MOVEMENT.

The residency is named MADOA 154 & M4RY4M. Isa, the person, couldn’t physically make it here. But the strange truth is: he did make it. Because Isa is not only a man’s name. Isa is a frequency. Isa is heart waves in motion. Isa is the name carried by Jesus in this land.

The first piece gave birth to the second. The wall itself initiated the next work. Painting ISA now feels less like choosing a name and more like responding to something already alive.

At the same time, I am creating a piece for ISSA—the man who sells coffee under the Banksy angels. A daily, grounded presence beneath images of conflict and innocence. His name, again, anchors the work in reality. Heaven and street level touching.

So ISSA becomes a name that travels:

• a person

• a place

• a word

• a heart wave

Putting ISSA up on the wall now feels like a declaration, but also like a birth certificate. The heart movement is born here, where the heart has always been tested, broken, and reborn.

From this moment on, ISSA becomes my artist name.

I will start writing ISSA.

Not as ego.

Not as branding.

But as a pulse.

Heart waves.

Born in Bethlehem.

Again.

— Dr. Anna Biela, Bethlehem, Palestina

26.12.2025, 19:19

Friday 12.26.25
Posted by Anna Biela
 

Arrival

The Day Love Took Form

I came here not knowing exactly what I was giving birth to — only that Heart Movement was ready to be born.

At first, the mural revealed itself as a vortex: energy spiraling, descending, reorganizing. A signal that something was opening, that the field was being prepared. Nothing fixed yet — just movement, potential, the gathering of force.

Then a whale’s tail surfaced. Not the whole body, just the tail — deep power rising from the unconscious. Ancient, oceanic energy making itself known without explanation. Strength that doesn’t announce itself, only moves.

Then came the dove. Breath. Peace. Release. The moment the system feels safe enough to open. The heart softening, the nervous system exhaling. A reminder that force alone is not enough — it must pass through gentleness.

Then I saw a tree trunk — vertical, rooted, alive. Energy settling into form. Not floating anymore, not dispersing, but standing. Integrated. Held by the earth while reaching toward the sky.

And today, on Christmas, something deeper revealed itself.

I noticed women’s reproductive organs — not as something literal or provocative, but as origin. Creation. Portal. The place where flow becomes form. The place where life enters the world.

The synchronicity was unmistakable.

Today is the birth of Jesus — and beyond religion, this moment marks the birth of the heart. The heart chakra opening into the world. Love entering form. Consciousness choosing compassion.

And here I am, noticing the womb — the ancient intelligence that knows how birth happens.

It felt like confirmation.

Not that the mural changed, but that perception deepened. That what I came here to give birth to — a heart movement — found its mirror in form. The vortex prepared it. The whale carried its depth. The dove ensured safety. The tree grounded it. And the womb confirmed its arrival.

This is not about one image, one place, or one belief.

It is about energy remembering how to move through the heart.

Beauty as flow.

Art as living energy.

And Christmas not as a story from the past,

but as a present-moment birth —

happening now,

through the body,

through the heart,

through the field we are ready to perceive from.

Friday 12.26.25
Posted by Anna Biela
 

Dear Banksy

I wanted to write to you personally to share how deeply I resonate with the way light appears in your site-specific work.

The Birth of Light is a theme I am also working with—both artistically and inwardly. This season carries a quiet power. In the Western Hemisphere, it marks the return of light after the winter solstice, when the nights begin to shorten and the days slowly lengthen again. It is the time associated with the birth of Jesus, but long before that, for thousands of years, humanity has honoured this moment as the rebirth of light itself.

The image of the children pointing toward the star stayed with me. For me, it speaks of origin and remembrance—that we come from the stars, that we are made of the same light we keep looking for. It felt like a reminder that we are not separate from what we seek, that we are here to carry and spread that light—now, here, in this place.

Working in the shadow of the wall, light becomes something earned rather than given. Your Angels exposes fractures not only in concrete, but in perception—where fear pretends to be solid, yet is already breaking. In that sense, light is not decoration; it is truth finding a way through.

Thank you for holding space where light can still appear.

With respect,

Anna ANER Biela

Bethlehem, Palestina

24.12.2025 10:04 am

Image source: banksy.co.uk (screenshot)

Wednesday 12.24.25
Posted by Anna Biela
 

From the Angels to the Dove

The work began with Banksy’s Angels as my initial inspiration. I had no plan to paint the wall at all, yet once the pieces fell into place, the process unfolded effortlessly. My colors and materials arrived through synchronicity, as if guided by the energy of the space itself. The mural emerged intuitively, a dialogue between intention, chance, and resonance.

The first form to appear was the vortex, imagined initially as an energy ball—compressed, charged, and seeking release. It represents swirling, transformative energy—the stirring of what has been stagnant or blocked. This stage marks the activation of the system, a gathering of energy preparing for movement. It is chaos with direction, a necessary precursor to creation and realignment.

From the vortex, the whale’s tail emerged. Only the tail was visible, suggesting that most of the force remained beneath the surface. The whale symbolizes deep unconscious power, vast and rhythmic, ready to propel transformation. The tail indicates motion, momentum, and grounded strength—the first visible sign that deep energy is translating into force that can influence the external world.

Within the whale’s tail, I then noticed the white dove, a synchronicity echoing the Banksy dove mural I had previously seen in Bethlehem. The dove represents integration, peace, and clarity. It signals that energy has transformed from raw, hidden potential into heart-aligned flow, manifesting as gentle yet expressive movement.

The journey from Angels → Vortex → Whale’s Tail → Dove illustrates a full bio‑energetic transformation. Energy is first stirred and activated, then rises from the unconscious, gaining form, direction, and grounded momentum, before finally manifesting as clarity, peace, and heart-centered flow. This mural became a space where synchronicity, intuition, and energy converged. What began as inspiration from Banksy’s Angels evolved into a dialogue with the wall itself—a movement from activation through power into gentle, expressive presence: from the Angels to the Dove.

Tuesday 12.23.25
Posted by Anna Biela
 
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